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Trhauma (1980)
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Overview
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Claustrophobic eighties Giallo offering more (3 total)Cast
(Distributie creditata)| Gaetano Russo | ... | Andrea (as Ronald Russo) | |
| Domitilla Cavazza | ... | Lilly (as Dafne Price) | |
| Roberto Posse | ... | Carlo | |
| Timothy Wood | ... | Paul | |
| Franco Diogene | ... | Bitto | |
| Per Holgher | ... | The Being | |
| Silvia Mauri | ... | Silvia | |
| Anna Maria Chiatante | ... | Olga | |
| Gina Mancinelli | ... | Helen |
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72 min | Brazil:90 minTara:
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As anyone with more than a passing interest in this genre will tell you, the Giallo hit it's heyday in the early seventies. The genre started to dry up as the seventies wore on; and by the time the eighties came around, you would really struggle to find a decent example outside of Dario Argento's filmography. Trhauma is not a great Giallo by any stretch of the imagination; but in comparison to other entries released around the same period, it has to be said that this one isn't too bad. The plot is rather simple and focuses on a group of people staying at an old house. It's not long before a woman is murdered and it soon becomes clear that the murderer is being paid by someone. It's also clear that the murderer is of the cheap variety as he gets paid in Lego! The guests later realise that the victim has gone missing and naturally start to worry, and this worry is increased when another guest falls victim. It soon becomes apparent that there's a maniac loose in the house!
The film is very short at only seventy two minutes and while it doesn't exactly outstay its welcome; that does unfortunately mean that the film doesn't have much time to flesh out the characters or plot; and as a result it's left rather lacking. Trhauma does benefit from a claustrophobic atmosphere brought on by the fact that it all takes place in the same enclosed location; but this is not as effective as it could been if the characters were fleshed out and made more interesting. One thing that many Giallo fans look for in these film is a fair helping of gore; and despite the fact that this film was released around the same time as Umberto Lenzi's cannibal movies and Lucio Fulci's zombie movies; it features very little of the red stuff and while there's a few murders; they are basically bloodless, which is a shame. As we get close to the end, it becomes pretty obvious who is behind it all...but even so, while this is not a great Giallo by any stretch of the imagination; it's not too bad and is worth tracking down for collectors.