Open Your Eyes
(1997)
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Open Your Eyes
(1997)
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| Cast overview, first billed only: | |||
| Eduardo Noriega | ... | ||
| Penélope Cruz | ... | ||
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Chete Lera | ... | |
| Fele Martínez | ... | ||
| Najwa Nimri | ... | ||
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Gérard Barray | ... |
Duvernois
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| Jorge de Juan | ... | ||
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Miguel Palenzuela | ... |
Commisario
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Pedro Miguel Martínez | ... | |
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Ion Gabella | ... |
Recluso paranoico
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Joserra Cadiñanos | ... |
Guardia
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| Tristán Ulloa | ... | ||
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Pepe Navarro | ... |
Presentador T.V.
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Jaro | ... | |
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Walter Prieto | ... | |
The handsome and wealthy César is very successful with women and is having difficulties getting rid of Nuria, his last affair. His best friend, Pelayo, is unlucky with women and jealous of César. At his birthday party, César meets the gorgeous and sexy Sofia, currently dating Pelayo, but they are immediately attracted to each other and spend the night together in her apartment. The next morning, César finds Nuria outside of Sofia's building, and he accepts her offer of a ride home. However, she commits suicide, crashing her car against a wall, but César survives the crash with his face completely disfigured. The doctors do not have the technology to restore his face and César is absolutely depressed and missing Sofia. One night, César meets Sofia and Pelayo in a bar but he drinks too much and passes out on the street. However, the next morning, Sofia finds César on the street and kisses him, telling that she loves him. Then the doctors tell him that they are able to fix his face. Out ... Written by Claudio Carvalho, Rio de Janeiro, Brazil
"Abre Los Ojos" is one of the most astonishing movies I have ever seen. It's so full of astounding twists that it constantly makes you sit up and wonder what the next shot will bring you. At the same time, you keep wondering if a movie with so many twists will be able to tie everything up at the end, but Amenabar and his co-writer manage to do just that, in a reasonably (if not perfectly) satisfying manner. Eduardo Noriega's acting is so good it's beyond belief, and so is the "disfiguring" makeup. Pair this off with "The Game" for a truly mind-bending double feature and see what cinema should be like more often. (***1/2)