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Azzedine Alaïa (1940–2017)

Azzedine Alaïa was born on February 26, 1940 in Tunis, Tunisia. He is known for his work on A View to a Kill (1985), The Diving Bell and the Butterfly (2007) and Chicken Feed for Little Birds (1963). He died on November 18, 2017 in Paris, France. See full bio »


(age 77) in Paris, France

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Known For

A View to a Kill Costume and Wardrobe Department
Chicken Feed for Little Birds Costume and Wardrobe Department
Disorder Costume and Wardrobe Department


Hide Hide Show Show Costume and Wardrobe Department (5 credits)
 1990 Graffiti Bridge (wardrobe: Jill Jones)
 1986 Disorder (wardrobe: Corinne Dacla)
 1986 Vamp (grace jones' wardrobe)
 1985 A View to a Kill (additional wardrobe: Grace Jones - as Azzedine Alaïa)
 1963 Chicken Feed for Little Birds (assistant costume designer)
Hide Hide Show Show Costume designer (1 credit)
Hide Hide Show Show Thanks (1 credit)
 2018 At Eternity's Gate (dedicatee)
Hide Hide Show Show Self (8 credits)
 2016 Franca: Chaos and Creation (Documentary)
 2012 Fashion! (TV Series documentary)
- Golden Eighties (2012)
 1998 Undressed: Fashion in the Twentieth Century (TV Series documentary)
- Sex (1998) ... Himself
 1996 Elite Model Look of the Year (TV Special)
Himself - Juror
 1995 Catwalk (Documentary)
 1985 Thierry Mugler (Documentary)
 1985 Mode in France (TV Movie documentary)
Hide Hide Show Show Archive footage (1 credit)
 1998 In and Out of Fashion (Documentary)

Personal Details

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Company (bio)


5' 2¼" (1.58 m)

Did You Know?

Personal Quote:

A woman is like an actress, she's always onstage. She has to look great to feel good. If she's going to wear clothes by a designer, ... then the clothes should make something happen, something unexpected. The dress has to be part of her, she has to feel it on her body. ... I prefer the woman to be seen rather than the outfit. Her head, her body, her hands -- the garment is there to cover her, to ... See more »


Famous for designing ready-to-wear, curve-hugging clothes so tight-fitting that catwalk models have to be squeezed into them by the designer's assistants, and for stretch-fabric, second-skin styles with complex seams and snaking zippers. See more »

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