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Oscar Flashback: The 11 films that scored two of the Big Five, including ‘The Philadelphia Story,’ ‘La La Land’

Oscar Flashback: The 11 films that scored two of the Big Five, including ‘The Philadelphia Story,’ ‘La La Land’
This article marks Part 3 of the Gold Derby series reflecting on films that contended for the Big Five Oscars – Best Picture, Best Director, Best Actor, Best Actress and Best Screenplay (Original or Adapted). With “A Star Is Born” this year on the cusp of joining this exclusive group of Oscar favorites, join us as we look back at the 43 extraordinary pictures that earned Academy Awards nominations in each of the Big Five categories, including the following 11 films that scored a pair of prizes among the top races.

At the 4th Academy Awards ceremony, “Cimarron” (1931) made Oscar history as the first motion picture to ever score nominations in the Big Five categories. On the big night, the western took home the top prize in Best Picture, as well as the Oscar in Best Adapted Screenplay (Howard Estabrook). Not as successful were the picture’s director, Wesley Ruggles, topped by Norman Taurog (“Skippy”), and the leads,
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Dean Martin & Jerry Lewis in The Caddy This Friday at Webster University

The Caddy screens at Webster University’s Moore Auditorium (470 East Lockwood) Friday August 3rd. The movie starts at 7:30.

The Caddy is a Dean Martin & Jerry Lewis comedy from 1953. It’s directed by Norman Taurog and also stars Donna Reed & Barbara Bates. Also featured are some leading professional golfers of the time.

This is one of the most beloved Martin & Lewis movie that sticks rigidly to the formula that made them so popular. Jerry causes mayhem but always endears in doing so, while Dean croons and catches the eye of the ladies. Plot is told in flashback as the popular duo, now big musical hall stars, shows how they got together courtesy of golf. Cue some goofing around on golf courses and chaos unbound as Jerry upsets the upper class toffs of society. Cue carnage in a department store and chaos on the golf course.

Dean sings the Oscar nominated “That’s Amore,
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The Adventures of Tom Sawyer

The Adventures of Tom Sawyer

Blu ray

Kino Lorber Home Video

1938 / 1.33:1 / Street Date July 10, 2018

Starring Tommy Kelly, May Robson, Marcia Mae Jones

Cinematography by James Wong Howe

Directed by Norman Taurog

Though Hemingway suggested “all modern American literature” comes from Huckleberry Finn, a case could be made for The Adventures of Tom Sawyer as the great American campfire tale.

David Selznick’s picaresque film version of Mark Twain’s bucolic farce plays out through the producer’s rose-colored glasses – an elegy to “the beautiful past, the dear and lamented past.” The brisk adaptation by screenwriter John Weaver (only 91 minutes) is a laundry list of Tom’s greatest hits – his graveyard vigil with Huck Finn, the pirate escapade, the hair-raising cavern finale – all are adventures ingrained in the collective unconscious of most sentient human beings – even those who never cracked a book.

Directed by Norman Taurog, a man who specialized
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Deanna Lund Dead at 81

Actress Deanna Lund died on June 22 at her home in Century City of pancreatic cancer. She was 81.

Lund played one of the seven castaways trying to survive in a world of large, unfriendly people on the 1960s ABC series Land of the Giants. Her Valerie Scott was a selfish party girl on the Irwin Allen-created series, which aired for two seasons, from September 1968 until March 1970.

Set in the year 1983, 20th Century Fox's Land of the Giants revolved around the crew and passengers of the spaceship Spindrift, which on the way to London crashed on a planet whose humanoid inhabitants were hostile and unbelievably huge. The show was extremely expensive to make, costing a reported $250,000 an episode.

The sexy Lund had appeared as a redheaded lesbian stripper opposite Frank Sinatra in Tony Rome (1967) and as Anna Gram, a moll working for The Riddler (John Astin), on ABC's Batman, leading
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Copyrights Will Expire for 35 Silent Films By Charlie Chaplin, Cecil B. DeMille, Buster Keaton, and More

Copyrights Will Expire for 35 Silent Films By Charlie Chaplin, Cecil B. DeMille, Buster Keaton, and More
Films by Charlie Chaplin, Cecil B. DeMille, and Buster Keaton are among the “hundreds of thousands” of books, musical scores, and motion pictures that will enter the public domain on January 1, according to The Atlantic. All of the works were first made available to audiences in 1923, four years before the introduction of talkies. Due to changed copyright laws, this will be the largest collection of material to lose its copyright protections since 1998.

Artists looking to incorporate black-and-white era throwbacks into their modern creations will have lots of new options. The Atlantic consulted unpublished research from Duke University School of Law’s Center for the Study of the Public Domain, which shared with IndieWire a list of 35 films that will soon become available to all.

“Our list is therefore only a partial one; many more works are entering the public domain as well, but the relevant information to confirm this may
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Oscars 2018: Will Best Picture and Best Director line up for the first time since ‘Birdman’?

Oscars 2018: Will Best Picture and Best Director line up for the first time since ‘Birdman’?
It used to be pretty much an Academy Awards norm that the film that won Best Picture also took home the Oscar for Best Director. In recent years that has changed, largely due to the preferential ballot that has been implemented for Best Picture voting. These two categories have split in four of the past five years, with “Birdman” (2014) and its director Alejandro G. Inarritu being the last time they lined up. Currently “The Shape of Water” is in first place to win both categories on Gold Derby’s Oscar charts, so might things get back on track this year?

See 2018 Oscar nominations: Full list of Academy Awards nominees in all 24 categories

A year ago Damien Chazelle won Best Director for “La La Land” while “Moonlight” took Best Picture, becoming the fourth time this decade that the Oscar split occurred. In 2015 Inarritu won Best Director for “The Revenent” (his second
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2018 Oscars: Greta Gerwig (‘Lady Bird’) could fly into the record books as the fourth youngest directing winner

2018 Oscars: Greta Gerwig (‘Lady Bird’) could fly into the record books as the fourth youngest directing winner
Everyone is (rightfully) focused on Greta Gerwig possibly becoming only the second female Best Director Oscar winner, but that won’t be the only benchmark she’d set with a victory: She would also become the fourth youngest directing champ ever.

Gerwig will be 34 years and 212 days old at the March 4 ceremony and would displace “American Beauty” helmer Sam Mendes, who was 34 years and 238 days old when he won 18 years ago, for the No. 4 slot. She’d be behind “La La Land” director Damien Chazelle (32 years and 38 days), who ended the 86-year “youngest ever” reign of “Skippy”’s Norman Taurog (32 years and 260 days) last year. “Two Arabian Knights”’ Lewis Milestone, who was 33 years and 228 days old when he won one of night’s two directing awards at the first ceremony, is the third youngest champ. Milestone has the distinction of holding two spots in the youngest top 10, which currently is:

1. Damien Chazelle,
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Jerry Lewis Returns to the Cosmos

On August 20, 2017, Jerry Lewis took a pratfall off this mortal coil, presumably knocking an unwitting dowager on her keister and sending a surprised cop into an open manhole on his way out. The durable enfant terrible was all of 91 years when he finally left the building though he had been making spirited public appearances as recently as January of this year.

For the inquisitive Jerry fan, Shawn Levy’s 1997 King of Comedy: The Life and Art of Jerry Lewis, remains the first and last stop for the straight scoop on America’s premiere nudnik. Levy, who endured the full fury of the comedian’s legendary wrath to get his story, is as admiring of his subject’s accomplishments as he was repelled by his whiplash mood swings. The hard knock apprenticeship in the Catskills, the Freudian-fueled soap opera of his partnership with Dean Martin, the boastful sex-capades, they’re all there and then some.
See full article at Trailers from Hell »

Hampton Fancher remembers Jerry Lewis by Anne-Katrin Titze

Hampton Fancher at the reflecting pool with Henry Moore's Reclining Figure (Lincoln Center) 1963–5 Photo: Anne-Katrin Titze

Hampton Fancher, the beguiling subject of Michael Almereyda's Escapes and co-screenwriter of Ridley Scott's Blade Runner and Denis Villeneuve's upcoming Blade Runner 2049, shared some memories of Jerry Lewis, who died at the age of 91 this past Sunday, August 20, at his home in Las Vegas, Nevada.

We started out with Michael Pfleghar's film Romeo Und Julia 70 where Hampton interviewed Jerry Lewis, went onto the connection to Joan Blackman and Hal B Wallis for Norman Taurog's Visit To A Small Planet, Rainer Werner Fassbinder's In A Year With 13 Moons (In Einem Jahr Mit 13 Monden) and You're Never Too Young with Dean Martin and Lewis, a gurney in Frank Tashlin's The Disorderly Orderly and a rabbit in Geisha Boy, meeting Jack Benny and Buddy Hackett,
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The Escapologists by Anne-Katrin Titze

Escapes at the IFC Center: "It's like that Thom Andersen movie Los Angeles Plays Itself. This is not a portrait of a place but a portrait of a person." Photo: Ed Bahlman

Escape artist Hampton Fancher reveals beating out Jean-Pierre Léaud and the pathway that led him to star in Michael Pfleghar's Romeo und Julia 70, opposite Tina Sinatra. Norman Taurog's Blue Hawaii starring Elvis Presley and Joan Blackman, Teri Garr, Brian Kelly and Flipper surface. Michael Almereyda makes a Skinningrove (his film on photographer Chris Killip) connection to a scene with Harrison Ford in Ridley Scott's Blade Runner and remarks "it's called Escapes for a reason as almost every episode involves a near-death experience."

Hampton Fancher starred with Tina Sinatra in Michael Pfleghar's Romeo Und Julia 70

When do you think you know a person? What does this knowing entail? A face, a name, a voice,
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The Best Movie Fight Scenes — IndieWire Critics Survey

The Best Movie Fight Scenes — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: In honor of the bone-crunching “Atomic Blonde,” what is the greatest movie fight scene?

Read More‘Atomic Blonde’: How They Turned One Amazing Action Scene Into a Seven-Minute Long Take Erin Oliver Whitney (@cinemabite), ScreenCrush

I’ve got a soft spot for wuxia so the “best fight scene” immediately evokes Zhang Yimou in my mind. I could list every fight in “Hero,” sequences so spellbindingly beautiful and graceful you forget you’re watching violence. The bamboo forest battle from “House of Flying Daggers” is another all-timer, a mesmerizing fight that almost entirely takes place in the air. And the bone-crunching, table-smashing
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Lord and Miller: 12 other directors who left/got fired from movies during production

Luke Owen looks at directors who left/got fired from movies during production…

With the shocking news that Phil Lord and Chris Miller have vacated the director’s chairs for the yet-to-be-titled Han Solo movie over “creative differences” (some sources say they were forced out), I thought it was time to look at some other directors who faced similar issues.

It’s no secret that making a tentpole movie for a studio is tricky. Duncan Jones has been very vocal as of late about the issues he had with last year’s Warcraft, and it was rumoured a few years ago that Gareth Edwards faced an uphill battle with Warner Bros. and Legendary on 2014’s Godzilla reboot. The 1993 Super Mario Bros. movie had its script re-written the weekend before production started with no input from the directors, who were then locked out of the editing room during post-production (they were eventually let back in).

Most of the time directors leave before production actually starts, and someone new is brought in. Edgar Wright left Ant-Man, Patty Jenkins left Thor: The Dark World, Rick Famuyiwa and Seth Grahame-Smith both left The Flash, Ben Affleck stepped down from The Batman, Stephen Herrick left Lara Croft: Tomb Raider; the list goes on. But very rarely does a director leave (or get fired) while the movie is in production. Usually if a studio loses faith in the director at that point, they would bring in someone else to “oversee” the movie and get it over the finish line. The aforementioned Godzilla saw this very occurrence, as did Mission: Impossible II when the legendary Stuart Baird was brought in to “fix” the movie Jon Woo originally helmed. Baird in fact has a long history with this, being a fixer on titles such as Superman: The Motion Picture, The Omen and Lethal Weapon.

There are still four or so weeks left on the Han Solo movie (plus the already planned reshoots), so let’s look back at a few other directors who left/got fired from their films.

The Wizard of Oz, 1939

It seems crazy to think that one of the most beloved movies of all-time had such a tumultuous production, but The Wizard of Oz in fact saw six different directors helm the movie. Norman Taurog originally shot test footage, but was quickly replaced with Richard Thorpe who shot for around two weeks when Taurog was moved to The Adventures of Tom Sawyer. Producer Mervyn LeRoy felt that Thorpe was rushing the production, and his short time on the film was probably not helped when original Tin Man Buddy Epsen was hospitalised after the metal make-up coated his lungs and left him on an Iron Lung.

None of Thorpe’s footage made it into the final cut (although he did shoot Dorothy’s first meeting Scarecrow and several scenes at The Wicked Witch’s castle), and George Cucker came in after Thorpe was fired. However, Cucker didn’t actually shoot any footage, and was there to simply oversee the plans to re-shoot all of Thorpe’s work until Victor Fleming came in. Although he was eventually the only credited director, Fleming left before production ended to film Gone with the Wind, and the shooting was finished by King Vidor and LeRoy.

Gone with the Wind, 1939

Speaking of Gone with the Wind, George Cucker had been developing the movie with producer David O. Selznick for around two years, but was removed from the project three weeks into production. According to reports, the decision to remove Cucker was Clark Gable’s and it angered fellow co-stars Vivien Leigh and Olivia de Havilland who went to Selznick’s office to demand he be re-hired. In Cucker’s place was Victor Fleming, who shot the majority of the movie over ninety-three days (although Cucker was secretly coaching Leigh and Havilland behind the scenes). Fleming wasn’t the final name on the movie however, as he had to take a short break due to exhaustion and Sam Wood shot for around twenty-three days.

Spartacus, 1960

Although considered a Stanley Kubrick movie, he wasn’t the first name attached to Spartacus. After David Lean turned down the movie, it was offered to Anthony Mann who was then fired by star Kirk Douglas after just one week of production. According to Douglas in his autobiography, Mann was “scared” of the size and scope of Spartacus and wasn’t capable of finishing the film.

Superman II, 1980

Shooting for Superman II was done alongside Superman: The Motion Picture in 1977 with Richard Donner doing both films. However the film was under a lot of pressure, with overrunning schedules and budget, which producers Alexander and Ilya Salkind and Pierre Spengler attributed to Donner. After everything was shot for Superman: The Motion Picture, Superman II was placed on hiatus. Once Superman: The Motion Picture was an instant hit, the producers brought in Richard Lester to replace Donner on Superman II and shoot around the footage already filmed. Why Lester replaced Donner is still up for debate. Spengler has claimed that Donner was asked to come back but refused, while Donner claims he only found out Superman II was getting underway when he received a fax from the Salkinds telling him his services weren’t required.

The cast and crew did not take the replacement lightly, with creative consultants Tom Mankiewicz and editor Stuart Baird refusing to return for the sequel, along with Gene Hackman who was replaced with a body double. Although Marlon Brando had already shot everything for both movies, he successfully sued the Salkinds who then cut him out of the sequel. Years later, Warner Bros. released the Richard Donner cut of Superman II on home video as Superman II: The Donner Cut.

Piranha II: The Spawning, 1981

Piranha II was originally set to be directed by Roger Corman graduate Miller Drake, who envisioned a version of the movie which saw the return of Kevin McCarthy (who died in the original film). Drake was then replaced with James Cameron who was working on the film’s special effects department, and he then re-wrote the script under the pseudonym H.A. Milton. However around two weeks into production, Cameron was fired by producer Ovidio G. Assonitis who felt he wasn’t doing a good enough job. Assonitis wouldn’t let Cameron review any of the footage he’d shot during his time on the movie, and was even making all of the day-to-day decisions.

A regularly reported story was that Cameron broke into the editing room while the producers were in Cannes to cut his version of the movie, which was then re-cut by Assonitis. “Then the producer wouldn’t take my name off the picture because [contractually] they couldn’t deliver it with an Italian name,” Cameron said in a 1991 La Times interview. “So they left me on, no matter what I did. I had no legal power to influence him from Pomona, California, where I was sleeping on a friend’s couch. I didn’t even know an attorney. In actual fact, I did some directing on the film, but I don’t feel it was my first movie.”

WarGames, 1983

WarGames began life as a very different movie titled The Genius in 1979 about a much older gentlemen, but this changed when writers Walter F. Parkes and Lawrence Lasker discovered a large youth-movement in the computer world, who would later be known as hackers. The character of David Lightman (played by Matthew Broderick) was even modeled after hacking enthusiast David Scott Lewis.

When the film went into production it was being helmed by Martin Brest who was then removed from the movie 12-days into shooting after a disagreement with the producers. In his place was John Badham, whose first act was to lighten the tone of the movie. “[Brest had] taken a somewhat dark approach to the story, and saw Matthew’s character as someone who was rebelling against his parents, and who was just kind of stewing inside,” he told The Hollywood Interview in 2009. “There was that tone to it. I said ‘If I was 16 and could get on a computer and change my grades or my girlfriend’s grades, I would be peeing in my pants with excitement!’ And the way it was shot, it was like they were doing some Nazi undercover thing. So it was my job to make it seem like they were having fun, and that it was exciting, but it wasn’t this dark rebellion.”
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TCM's Pride Month Series Continues with Movies Somehow Connected to Lgbt Talent

Turner Classic Movies continues with its Gay Hollywood presentations tonight and tomorrow morning, June 8–9. Seven movies will be shown about, featuring, directed, or produced by the following: Cole Porter, Lorenz Hart, Farley Granger, John Dall, Edmund Goulding, W. Somerset Maughan, Clifton Webb, Montgomery Clift, Raymond Burr, Charles Walters, DeWitt Bodeen, and Harriet Parsons. (One assumes that it's a mere coincidence that gay rumor subjects Cary Grant and Tyrone Power are also featured.) Night and Day (1946), which could also be considered part of TCM's homage to birthday girl Alexis Smith, who would have turned 96 today, is a Cole Porter biopic starring Cary Grant as a posh, heterosexualized version of Porter. As the warning goes, any similaries to real-life people and/or events found in Night and Day are a mere coincidence. The same goes for Words and Music (1948), a highly fictionalized version of the Richard Rodgers-Lorenz Hart musical partnership.
See full article at Alt Film Guide »

Damien Chazelle Gives Special Thanks To Best Friend After Winning Best Director Oscar For ‘La La Land’

Damien Chazelle Gives Special Thanks To Best Friend After Winning Best Director Oscar For ‘La La Land’
"I want to thank Justin (Hurwitz) who I have known since I was 17 for riding with me on this," said Damien Chazelle, who won Best Director for La La Land tonight. Having just celebrated his 32nd birthday last month, Chazelle now ties as the youngest director ever to win for Best Director. The last 32-year-old to win was 86 years ago — Norman Taurog for the film Skippy in 1931, although technically, Chazelle was older than Taurog by about a month. Chazelle developed the…
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Damien Chazelle Becomes Youngest Best Director in Oscar History

  • The Wrap
Damien Chazelle Becomes Youngest Best Director in Oscar History
La La Land” director Damien Chazelle on Sunday became the youngest Best Director in Oscar history. The 32-year-old filmmaker breaks a record that’s held for 86 years. While Chazelle is 32 years and 38 days old, the previous holder of the youngest director title was Norman Taurog, who won for “Skippy” way back in 1931 at the age of 32 years, 260 days in 1931.

Chazelle has racked up multiple prizes for his work on the modern-day muscial “La La Land,” including the Golden Globe, the BAFTA and the DGA awards. The film also came into...
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Oscars 2017: La La Land’s Damien Chazelle Wins Best Director

Oscars 2017: La La Land’s Damien Chazelle Wins Best Director
Damien Chazelle has danced his way into the record books.

At the 89th Academy Awards on Sunday night, the La La Land director took home the trophy for Best Director, making him the youngest filmmaker ever to win the award.

Chazelle first thanked his fellow nominees, Mel Gibson, Barry Jenkins, Denis Villeneuve and Kenneth Lonergan “for what incredible filmmakers you are and for inspiring me with your work every day.”

“I want to thank the people who helped me make this movie, my crew, my team, everyone at Lionsgate for taking a chance on it. Ryan and Emma for bringing it to life,
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Damien Chazelle wins best director Oscar for La La Land

Director of Hollywood-set musical starring Ryan Gosling and Emma Stone becomes youngest ever to win the award

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Damien Chazelle has won the best director Oscar for La La Land, making him the youngest ever, at 32 years and 38 days, to win the award.

Chazelle was the strong favourite for the prize, though he faced tough competition in a lineup that included Manchester by the Sea director Kenneth Lonergan and Moonlight director Barry Jenkins. The previous youngest was Norman Taurog, who won for Skippy at the age of 32 years and 260 days in 1931.

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13 Oscar Records That Could Be Broken Sunday, From ‘La La Land’ to Denzel

  • The Wrap
13 Oscar Records That Could Be Broken Sunday, From ‘La La Land’ to Denzel
Anybody who wins an Academy Award is bound to think of it as a historic night, but there’s also some real history that could be made on Sunday night at the Dolby Theatre. Here are a baker’s dozen landmarks that could happen at the 89th Oscars show. 1. If Damien Chazelle wins for directing “La La Land,” he’ll become the youngest Best Director winner in Oscar history. On February 26, Chazelle will be 32 years and 38 days old. The current record holder as the youngest Best Director winner ever is Norman Taurog, who won for “Skippy” at the age of
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6 Ways the Oscars Could Make History This Year

6 Ways the Oscars Could Make History This Year
The 89th Academy Awards are almost here, and with it come several opportunities for history to be made. Some chances may be long shots (how awesome it would be if Bradford Young won Best Cinematography), but others are as close to sure things (Damien Chazelle and Barry Jenkins would both make history as Best Director winners).

Below are six ways this year’s Oscars could make history. The ceremony, hosted by Jimmy Kimmel, airs Sunday evening at 8:30pm Et on ABC.

Read More: Final Oscar 2017 Predictions: ‘La La Land’ Will Win Nine of Its 14 Nominations

1. Damien Chazelle Could Become the Youngest Best Director Winner

La La Land” is only Damien Chazelle’s third feature behind the camera, and he seems destined to take home the Oscar for Best Director. At only 32 years old, the filmmaker would become the youngest director in history to win the gold. The current record holder is Norman Rae Taurog,
See full article at Indiewire »

Yes, Damien Chazelle’s ‘La La Land’ Really Will Win Director and Picture Oscars — Here’s Why

Yes, Damien Chazelle’s ‘La La Land’ Really Will Win Director and Picture Oscars — Here’s Why
Late in the Oscar season, at the moment when voters actually fill in their ballots (the deadline is February 21 at 5 pm), it all comes down to what movies they have actually seen. What did they love the most, and is freshest in their minds? Which film aligns with the zeitgeist, delivering the message that 6,000 voters want to send?

The five directing nominations tend to line up with the strongest Best Picture contenders, although snubbed director nominee Ben Affleck did win Best Picture win for “Argo.” However, that underdog story became a narrative in itself that drove “Argo” to the win.

This year, the narratives include the aftermath of#OscarsSoWhite and the election of Donald J. Trump. Which will stick?

Here’s how the Best Director and Best Picture races are shaking out.

La La Land” is the magical, romantic, modern-yet-retro musical about artistic passion created by wunderkind Damien Chazelle and his gifted collaborators,
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