Both Jacques Audiard’s “The Sisters Brothers” and Olivier Assayas’ “Double Lives” will be released under significantly different conditions, while David Oelhoffen’s “Close Enemies” will hit the Lido still looking for a buyer. Taken all together, however, these three cases offer a reasonable snapshot of the current U.S. market for French cinema.
Audiard’s “The Sisters Brothers” stands as the outlier, one of the rare French productions to land U.S. distribution before the cameras ever rolled. L.A.-based production company Annapurna Pictures came on board in May 2017 and announced that it would release the English-language Western through its nascent distribution arm.
Time will no doubt tell, but Annapurna’s interest in the project likely does