Oscars 2020: Best Sound Mixing

  • Indiewire
Sound mixing continues to get more complex and nuanced — often integrating the soundscape with the score — and emphasizing the immersive benefits of Dolby Atmos. This year’s contenders are led by the high-octane thrills of James Mangold’s “Ford v Ferrari” racing biopic, Sam Mendes’ experimental real-time world War I drama, “1917,” and Quentin Tarantino’s love letter to 1969 Tinseltown, “Once Upon a Time in Hollywood.”

In “Ford v Ferrari,” car designer Carroll Shelby (Matt Damon) teams up with iconoclastic test driver Ken Miles (Christian Bale) to build and race the revolutionary Ford GT40 Mark I in the hopes of winning the grueling 24 Hours of Le Mans in 1966. Fully intact period sports cars are hard to come for the rigors of racing movies, of course, but sound editor Don Sylvester found a guy in Ohio who built a Ford Gt from scratch using vintage parts. He let them trick it out
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