When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
A lone prospector ventures into Alaska looking for gold. He gets mixed up with some burly characters and falls in love with the beautiful Georgia. He tries to win her heart with his singular charm.Written by
John J. Magee <firstname.lastname@example.org>
The first of Charles Chaplin's silent films which he revived with the addition of sound for new audiences. See more »
When Big Jim is so delirious that he thinks The Lone Prospector is a chicken, The Lone Prospector removes a knife from the table and hides it in the bed. In one of the next shots, the knife is back on the table. Then in the next shot it is gone again. See more »
Silent versions runs 82 minutes at today's current projection speeds, but silent versions during the 1925 projection rate would have run closer to 96-100 minutes. The 1942 reissue took out a few scenes as well as all the subtitles, and at sound speed runs 72 minutes. See more »
This silent classic has many strong points - it has a lot of humor, interesting characters, a good story and good settings. It's the kind of film that shows how much a master film-maker can communicate in a silent movie. It overdoes the sentimentality on occasion, but other than that it's a fine film.
Chaplin himself plays the 'Lone Prospector', and he is joined by several other interesting characters in a frozen north setting that sets up some good adventures and drama. There are some memorable scenes in the prospectors' rickety cabins, plus some other good material.
The version of this that is the easiest to find is the one that Chaplin re-edited in the 1940's, adding his own narration and deleting the title cards, which gives it a slightly different feel. (These revisions probably make it a bit easier to follow for those who aren't used to silent films.) You can tell from Chaplin's narration how fond he must have been of "The Gold Rush", and he had a lot of good reasons to be pleased with it. There are a couple of his later films that might be even better and more timeless, but this one contains everything that defined Chaplin and his art.
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