A fresh young beauty becomes an old maid waiting for her suitor to return from the Napoleonic wars. When he returns, clearly disappointed, she disguises herself as her own niece in order to test his loyalty.
Helen Jerome Eddy
A ditzy American girl visiting Monte Carlo is hired by a tennis champ to be his "cardboard lover"--to pretend to be in love with him so he can teach his two-timing fiancé a lesson and win ... See full summary »
Tillie the Toiler is a 1927 silent film comedy produced by Cosmopolitan Productions and released through Metro Goldwyn Mayer studios. It is based on Russ Westover's popular comic strip ... See full summary »
Tina works as a barmaid at the Red Mill Tavern and is at the mercy of volatile and bad tempered owner, Willem. Dennis is a visitor to the area and Tina soon falls in love with him. Dennis doesn't share her feeling and leaves only to return later on. He becomes interested in Gretchen, the Burgomaster's daughter. However, Gretchen, about to enter into an arranged marriage with the Governor, is in love with Captain Jacop Van Goop. Tina and Gretchen enter into an elaborate masquerade in order to be with the men they each love.Written by
About 45 minutes into the film, after the mix-ups between who Dennis and Caesar are looking at across the courtyard, a dog suddenly appears out of nowhere, tied to the leg of the chair Dennis is sitting on. See more »
You're like a beautiful ray of sunshine standing there sunburning me.
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In 2006, Turner Entertainment Co. copyrighted a 74-minute version of this film, with original music composed by Michael Picton. See more »
Delightfully restored on TCM, one of Marion Davies' best comedies...
The good news is that even the title cards have a wit and humor that is carried over beautifully onto film under Fatty Arbuckle's direction for THE RED MILL, based loosely on a Victor Herbert operetta.
Quaint is a good word to describe the costumes and settings of the Dutch tale, which opens with a charming ice skating sequence that is played for laughs and largely succeeds because of the clever acting of MARION DAVIES and OWEN MOORE. The tale that follows is a case of mistaken identity, with Moore confusing Davies with the burgonmaster's daughter LOUISE FAZENDA, who is engaged in a comical relationship with someone else.
Davies has never been better at establishing herself as a comedienne from the start, given lots of bits of business (on and off the ice), including the stay in a haunted mill that occupies that last fifteen minutes of the story and is a good mixture of laughter and fright.
Technically, the film looks great with TCM's restoration and a bouncy score that accompanies rather than distracts (as some of the new scores do). Very worthwhile Marion Davies vehicle shows that she did indeed have promise as more than Hearst's favorite protégé.
Trivia note: The sets and costumes cry out for early Technicolor but only the night scenes are shaded a blue tint.
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