A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ...
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A beautiful showgirl, nicknamed 'the Canary', is a scheming nightclub singer. Blackmailing is her game and soon ends up dead. But who killed 'the Canary'. All the suspects who knew her had ... See full summary »
Mayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.
At the end of each year, the extremely wealthy but odious Greene family gets together at the spooky old family castle to establish terms of a will, though they despise each other. This year... See full summary »
Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue ... See full summary »
It's 1929. The studio gave the cinema its voice gave offered the audiences a chance to see their favorite actors and actresses from the silent screen era to see and for the first time can ... See full summary »
William Powell plays William Foster, a slick attorney who stays within the law, but specializes in representing crooks and shady characters. He's adept at keeping them out of jail, winning ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting singing "My Marine" (written by Richard A. Whiting and Raymond B. Eagan) to a group of U. S. Marines, including Stuart Eriwn, Stanley Smith and Frederic March; Buddy Rogers doing a song-duet with Lillian Roth called "Any Time's the Time to Fall in Love" (written by Elise Jans and Jack King), on a cuckoo-clock set; and Clara Bow singing and dancing in the "True To The Nany Now" number to a group of sailors.Written by
Les Adams <email@example.com>
Squads of sweeties Platoons of pippins Companies of cuties Brigades of beauties Divisions of dancers Armies of ace-actors Regiments of roaring comedians (Print Ad- The Leader-Post,((Regina, Saskatchewan)) 28 May 1930) See more »
The re-release opening credits credit producer Jesse L. Lasky as "Jessie" L. Lasky. See more »
An alternate French-language version, Paramount en parade, also produced by Paramount, featured many French movie stars of the time, as well as Maurice Chevalier and Nino Martini from the English version. See more »
About what you'd expect from one of these films...and nothing more.
MGM made a film called "Hollywood Review of 1929" and it was a plot less picture consisting of nearly every MGM star singing and dancing--whether they liked it or not! This was because in 1929, folks LOVED talking pictures...particularly musicals with giant production numbers. The film also had some comedy and drama--making it a talent show more than anything else. The film was shot very quickly using several directors and made $1.1 million...a very tidy sum for the time. So, it's not surprising that rival studio Paramount would make their own version only a few months later. Both films lack coherent stories but are must-sees for old movie buffs, as it's great looking for all your favorite old time stars. A few of them, sadly, are very obscure and even the biggest movie buffs would be hard-pressed to recognize all of them. A few of the big and very recognizable stars include: William Powell, Clara Bow, Gary Cooper, Jean Arthur, Maurice Chevalier, Kay Francis, Frederic March and Warner Oland.
So is it any good? Well, as I mentioned above, there isn't a lot in the way of plot--just lots of little vignettes. And, sadly, portions of the film are missing today...and a recently completed restoration still lacks the opening credits and a few scenes and portions of the soundtrack. As for the acts, most of them are not good--very dated, the songs not memorable and the humor is quite forced. This is not a film you watch because it's fun or enjoyable....more a strange opportunity to see stars behaving very strangely! In particular, you can see Helen Kane--the inspiration for Betty Boop. But, because a living, talking Boop isn't that enjoyable, Ms. Kane ended up making few films. You also get to see some actors trying out outrageous accents or singing when they really aren't very good at singing--although I did enjoy hearing Clara Bow sing (though not necessarily well). And the dance numbers are mostly just strange to say the least. Overall, an odd curio that is NOT for the casual old movie buff (they'll hate it) but the die-hard fans looking for their favorite stars.
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