Joe Grant is an inventor, fireman and baseball player in his small home town. He gets an offer to play in a big team, he hopes to get more money for his inventions. But he is invited to ...
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Well respected local good guy, Feet Samuels finds himself heavily in debt due to an uncharacteristic gambling binge. Feet decides the only way to settle the bill is by selling his body to ... See full summary »
Jack's father is sending Jack away to keep him from the gambling, booze, girls and late nights. He has Ossie go as Jack's companion, not knowing that Ossie does the same things as Jack. ... See full summary »
Joe E. Brown,
William Collier Jr.
Take Me Home is a 1928 silent comedy produced by Famous Players-Lasky and distributed by Paramount Pictures. The film was directed by Marshall Neilan and starred Bebe Daniels and Neil Hamilton. The film is now considered a lost film.
As a wagon train treks west, two men, Lt. Singleton and a Stanton, a scout, are rivals for the attentions of the Colonels's daughter, Virginia. Stanton is held for murder after a fight with... See full summary »
John is a timid student who works at the University Book Store. He is studying to be a botanist and has a secret crush on the lovely Julia. One day, one of his letters gets accidentally ... See full summary »
Joe Grant is an inventor, fireman and baseball player in his small home town. He gets an offer to play in a big team, he hopes to get more money for his inventions. But he is invited to present his invention to a fire-extinguisher company at the same time when he is supposed to play. Will he be able to show the effectiveness of his invention and win the game ?Written by
Stephan Eichenberg <email@example.com>
Joe E. Brown as small town fireman cum big league pitcher
Joe E. Brown plays a small town inventor and fireman, who creates a small bomb which puts out fires. The story involves his efforts to patent it; baseball provides the means by which he earns the money to do so. It is a typical Brown comedy - a fairly involved plot, romance in the form of Evelyn Knapp and plenty of action sequences, mainly involving fire. (The opening sequence contains a fire at the local Sauerkraut Factory, which indicates the elaborate production values contained in the film.) There are problems with the film, I think, displayed in the also typical Joe E. Brown swagger and bragadoccio, (which can be very annoying) and the character's involvement with con men and a femme fatale, who take him for a good deal of his savings. This twist is strangely unresolved at the film's end. And it is frustrating to the viewer in that one wonders how anyone could be so uncaring as to ignore the fact that he's supposed to pitch in the seventh game of the World Series. It's well worth watching, though, as a well produced film with some great sequences, not typical fare for 1932.
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