A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
After a four year absence, one time detective Nick Charles returns to New York with his new wife Nora and their dog, Asta. Nick re-connects with many of his old cronies, several of whom are eccentric characters, to say the least. He's also approached by Dorothy Wynant whose inventor father Clyde Wynant is suspected of murdering her father's mistress (his former secretary ).. Her father had left on a planned trip some months before and she has had no contact with him. Nick isn't all that keen on resuming his former profession but egged-on by wife Nora, who thinks this all very exciting, he agrees to help out. He solves the case, announcing the identity of the killer at a dinner party for all of the suspects.Written by
W.S. Van Dyke often did not bother with cover shots if he felt the scene was right on the first take, reasoning that actors "lose their fire" if they have to do something over and over. It was a lot of pressure on the actors, who often had to learn new lines and business immediately before shooting, without the luxury of retakes, but Myrna Loy credited much of the appeal of the film to Van Dyke's pacing and spontaneity. See more »
When Mimi goes to Miss Wolf's building, she asks for Wolf's apartment number. The concierge gives her number then asks who is calling. Mimi does not give her name and says that Miss Wolf is expecting her. In reality, a concierge will not give the apartment number out to anyone especially a stranger unless the tenant has given permission for the person to come up. See more »
Your daughter's here, Mr. Wynant. Mr. Wynant! Mr. Wynant!
Clyde Wynant, the thin man:
Haven't you got any more sense than to shout at me like that?
See more »
Opening credits are shown with the original novel by D. Hammett in the background. See more »
I am not really a fan of comedies, but I can definitely appreciate a good one when it comes along. Often times comedies only really work when they are combined with another genre (in the case of this film, the 'hard-boiled detective' film)... and sometimes they achieve brilliance.
In what might have otherwise been a sort of mediocre movie, Bill Powell and Myrna Loy breath a phenomenal life into the roles of Nick and Nora Charles, a rich woman and her dandyish (but dangerous) lush of a detective husband. This film entertains on so many levels and establishes (not exploits) so many cliches that it should be mandatory viewing in any introductory film class.
The plot of The Thin Man is pretty much peripheral to the performances by Low and Powell, but it is involving in its own way. Murder, loose women, police brutality (fun police brutality), adultery, polygamy, science, swindles, two dinner parties and drinking... lots and lots of drinking... all combine into one hell of fun movie. There is even a fair amount of tension in the film and all kinds of great one-liners and set-ups.
This is quite simply a phenomenal film, lots of fun (even for Gen Xers like myself), and well worth watching.
62 of 79 people found this review helpful.
Was this review helpful to you?
| Report this