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The Devil Is a Woman (1935)

Approved | | Comedy, Drama, Romance | 1935 (Turkey)
A young man is warned by a captain about a temptress; nonetheless, he finds himself falling in love with her.

Writers:

Pierre Louÿs (novel) (as Pierre Louys), John Dos Passos (adaptation) | 2 more credits »
Reviews
1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Marlene Dietrich ... Concha Perez
Lionel Atwill ... Capt. Don Pasqual 'Pasqualito' Costelar
Edward Everett Horton ... Gov. Don Paquito 'Paquitito'
Alison Skipworth ... Senora Perez
Cesar Romero ... Antonio Galvan
Don Alvarado ... Morenito
Tempe Pigott ... Tuerta (as Tempe Piggott)
Francisco Moreno Francisco Moreno ... Alphonso (as Paco Moreno)
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Storyline

Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is SternbergÍs surreal and fantastic Carnaval in Spain. In a café the older man details his encounters with the heart breaker that his younger friend has only just met at the parade. Forewarned, the young man swears he will avoid the fate of his friend, but rushes all the same to his evening rendezvous. A dreamlike story of frustrated, lost romance, spoken in the past tense, never really resolved. Written by <cantor@sirius.com>

Plot Summary | Add Synopsis

Taglines:

"THREE LOVES HAVE I...THE FOOLS!" (Print ad- Pittsburgh Press, ((Pittsburg, Penna.)) 14 June 1935) See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

1935 (Turkey) See more »

Also Known As:

Caprice Espagno See more »

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Box Office

Budget:

$800,000 (estimated)

Cumulative Worldwide Gross:

$2,375
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In a 1971 film interview with Swedish television, her first television interview, Marlene Dietrich claimed that this was her favorite film that she had made with director Josef von Sternberg. In later years, she would go on to say that it was her all-time favorite out of all of her films. See more »

Quotes

Gov. Don Paquito 'Paquitito': How's the patient, Doctor? Not serious, I hope. It is my wish that the whole affair blow over.
Dr. Mendez: There are some things beyond even your wish, Don Paquito.
See more »

Connections

Version of The Woman and the Puppet (1920) See more »

Soundtracks

Capriccio Espagnol, Op.34
Music by Nikolai Rimsky-Korsakov
Played during the opening credits and as background music often
See more »

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User Reviews

 
Dietrich, A Devious & Dangerous Delight
17 April 2002 | by Ron OliverSee all my reviews

A young Spanish radical in old Sevilla learns that THE DEVIL IS A WOMAN, when he falls hopelessly in love with a mysterious female.

Mesmerizing & hypnotic, this is a film which arouses all the senses. Dreamlike in its visuals & nightmarish of plot, it presents imagery so persuasive as to be practically palpable. Director Josef von Sternberg & writer John Dos Passos constructed a miniature madhouse for the mind, in which the viewer gladly finds himself consigned.

Fascinating, coy, deceptive, utterly alluring, Marlene Dietrich dominates the film as an icy-hearted harlot who strews her pathway with the broken bodies & wasted lives of the men she's betrayed. With heavily lidded eyes peering out of her disturbingly beautiful face, she is the very picture of sardonic seduction. Wisely, the film allows her a moment of amusement (for the viewer), letting her perfectly sum up her philosophy in the comic song ‘Three Sweethearts Have I.'

Dietrich's two leading men are both excellent. Lionel Atwill, sadly ignored today, once again exhibits the depth of his acting talent; Hollywood's propensity to place him in horror films often obscured his abilities. Here, he shows us a man fully aware of his complete degradation. Cesar Romero, in one of the finest roles of his early career, more than adequately carries on the tradition of the Latin Lover, but with a twist - here is a romantic hero who is not strong enough to escape from the web of the female spider.

Peevish & pompous, Edward Everett Horton is thoroughly amusing as a flustered Spanish bureaucrat.

Two wonderful English character actresses enliven the proceedings in small roles: Alison Skipworth as Dietrich's disreputable matriarch and Tempe Pigott as an old one-eyed harridan.

Movie mavens will spot Edwin Maxwell as the manager of the cigarette factory and Charles Sellon as a professional letter writer, both uncredited.

Von Sternberg created a masterwork of cinematic symbolism, with innuendo so rife it is incredible it passed the Production Code. In every way, the film is a worthy follow-up to his previous collaboration with Dietrich, the orgiastic SCARLETT EMPRESS (1934).


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