In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
On the brink of WWII, the record-breaking aviator, André Jurieux, safely lands at a small airport crammed with reporters, only to come face to face with his worst fear: the object of his desire, Christine--a blonde noblewoman and wife of the affluent Marquis de la Cheyniest, Robert--is not there to greet him. Intent on winning her back, André accepts his friend Octave's invitation for a lavish hunting weekend at the aristocrat's palatial country estate at La Coliniere, among hand-picked guests and the mansion's servants; however, intrigue, rivalries, and human weaknesses threaten to expose both royalty and paupers alike. Who will breach the unwritten rules of the game?Written by
Film historians Jean Gaborit and Jacques Durand salvaged excised and unused footage and created a new longer version, presented at the 1959 Venice Film Festival. Where the original theatrical version was 91 minutes long, the new 1959 version was 106 minutes long, over fifteen minutes longer than the original cut. See more »
How can words do justice to this dream of a film? It is one of a dozen or so movies in all film history where just everything seems to have gone right. The casting is perfect, it is technically so seamless to make discussion of that side of the film crass, and the script is one of the great narratives in any medium of its century. The characterisation is absolutely matchless. I cannot think of a film with characters as rich as Lisette, the maid, la Chesnaye, the unfaithful aristocrat, Marceau the poacher, and, above all, Renoir's bumbling Octave who sets the tragic events in motion. Great dramatic art, of which this is arguably the cinema's finest example, is usually characterised by irony. La Règle du Jeu has it in spades. In the sensational final 25 minutes, when enemies become friends, and friends enemies, the cinema seems to take off in flight raising this great art to undreamed of heights. It is just so perfect, it makes you want to weep.
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