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Sullivan's Travels (1941)

Not Rated | | Adventure, Comedy, Drama | 6 February 1942 (USA)
Trailer
1:51 | Trailer
A director of escapist films goes on the road as a hobo to learn about life, which gives him a rude awakening.

Director:

Preston Sturges

Writer:

Preston Sturges
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2 wins. See more awards »

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Cast

Cast overview, first billed only:
Joel McCrea ... John L. Sullivan
Veronica Lake ... The Girl
Robert Warwick ... Mr. LeBrand
William Demarest ... Mr. Jones
Franklin Pangborn ... Mr. Casalsis
Porter Hall ... Mr. Hadrian
Byron Foulger ... Mr. Valdelle
Margaret Hayes ... Secretary
Robert Greig ... Sullivan's Butler
Eric Blore ... Sullivan's Valet
Torben Meyer ... The Doctor
Victor Potel ... Cameraman
Richard Webb ... Radio Man
Charles R. Moore ... Colored Chef (as Charles Moore)
Almira Sessions ... Ursula
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Storyline

Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock. Written by Bob Doolittle <Bob.Doolittle@east.sun.com>

Plot Summary | Add Synopsis

Taglines:

Veronica Lake's on the take. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

6 February 1942 (USA) See more »

Also Known As:

Sullivan's Travels See more »

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Box Office

Budget:

$689,665 (estimated)

Cumulative Worldwide Gross:

$10,249
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TV premiere)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Paramount purchased Preston Sturges's script for this movie for $6,000 (adjusted for inflation: approximately $105,000 in 2019). See more »

Goofs

John was sentenced for hitting the railway man with a stone. It seems this sentence would still hold even if he was Hollywood director. See more »

Quotes

John L. Sullivan: I want this picture to be a commentary on modern conditions. Stark realism. The problems that confront the average man!
LeBrand: But with a little sex in it.
John L. Sullivan: A little, but I don't want to stress it. I want this picture to be a document. I want to hold a mirror up to life. I want this to be a picture of dignity! A true canvas of the suffering of humanity!
LeBrand: But with a little sex in it.
John L. Sullivan: [reluctantly] With a little sex in it.
Hadrian: How 'bout a nice musical?
See more »

Crazy Credits

In the opening credits, the Paramount logo is depicted as a seal on a package wrapped in brown paper. The package is opened, revealing a book with the title of the movie. The pages are turned to show the credits. See more »

Connections

References The Wizard of Oz (1939) See more »

Soundtracks

Let My People Go
(uncredited)
Traditional spiritual
Played on the harmonium by Madame Sul-Te-Wan and sung
by Jess Lee Brooks and the churchgoers
See more »

Frequently Asked Questions

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User Reviews

 
A Journey of Discovery
16 December 2001 | by jhcluesSee all my reviews

When it comes right down to it, what you `think' you want isn't necessarily what you `really' want, nor is it likely to be anything you need. But finding the answer is up to the individual, a prospect that's explored in the satirical `Sullivan's Travels,' directed by Preston Sturges. Movie director John L. Sullivan (Joel McCrea) has made a career of churning out one successful comedy after another, yet he remains unfulfilled. He longs to do a `serious' film, one with meaning, a drama that will leave his mark on the industry and the world. And he has a property that he thinks is perfect, a screenplay entitled `O Brother, Where Art Thou?' The studio he works for, however, balks at the idea; Sullivan's comedies are not only good, they're a cash cow for the studio, so why fool with success?

Sullivan is adamant, though, and determined to make his film he strikes a bargain with the studio and gets the green light. But once he's given the go-ahead, he wants to do it right-- and he realizes that to make a truly meaningful film, he must first experience himself the hardships of life he will be examining in `O Brother.' So with only a dime in his pockets, he sets out on the road to find out what `life' is really all about. And before it's over, he will get all he's looking for and more, in an odyssey that will be unforgettable for Sullivan, and for the audience, as well.

Filled with pathos and poignancy, Sturges' film is an insightful sojourn across the territory of the human condition. It'll make you laugh and it'll make you cry, as along with Sullivan you come face to face with some hard truths about reality. And Sullivan's eventual epiphany regarding his personal wants and needs may be your own, as well, because this is a film with a definite message that is honest and undeniable. A lesson in life delivered subtly and sensitively by Sturges, who makes it entertaining and thought provoking at the same time. It's refreshing, in fact, t discover a film that delivers such an impact without having to resort to any kind of sensationalism, relying instead on the inherent humanity of the story, which Sturges conveys masterfully. With exceptions, of course, it's a sensibility few of today's directors seem to possess. Some notable exceptions would be Ang Lee with `The Ice Storm,' Kenneth Lonergan's `You Can Count On Me' and Tom DiCillo's `Box of Moonlight.' All are films that, like `Sullivan,' are journeys of discovery, profound in sentiment without being overly sentimental. There are more, to be sure, but they seem too few and far between.

One of the elements that makes this film so engaging is its colorful cast of characters, and the actors it employs to bring it to life, beginning with it's star, McCrea, who hits his stride as Sullivan with facility. He credibly reflects Sullivan's ideals and principles with a look, as well as an attitude, that makes it work quite naturally. You can believe this is a man with, perhaps not a naive, but certainly a rather guarded perception of life in the real world. Which is not to say he lacks insight or wisdom; it's merely one of the basic truths this film points out-- that people live within parameters of their own design, established through personal experience and frame of reference. And that's the John Sullivan McCrea presents here, with a portrayal that is honest and incisive.

Veronica Lake was one of the hottest actresses around in 1942 when this film was made, and as the girl who becomes a part of Sullivan's journey, she lends considerable charm and a bit of mystique to the film. It's a fairly straightforward role that benefits from her sparkle and personality; a notable performance that adds a touch of humor and some class to the proceedings, without being particularly exceptional. But watching her, it's easy to understand the attention she received, especially after draping her long blond hair across her eye, peek-a-boo style-- which started a craze that swept the country, while creating an indelible image that ultimately defined her career.

The supporting cast includes Robert Warwick (Mr. Lebrand), William Demarest (Mr. Jones), Franklin Pangborn (Mr. Casalsis), Porter Hall (Mr. Hadrian), Byron Foulger (Mr. Valdelle), Margaret Hayes (Secretary), Robert Greig (Sullivan's Butler) and Eric Blore (Sullivan's Valet). Call it a lesson in life, or a lesson about human nature; however you see it, `Sullivan's Travels' is an experience you're going to remember. Entertaining, enjoyable and enlightening, it's an uplifting appreciation of the way things are, and not necessarily the way you `think' they should be. It's a film that celebrates the comfort to be found in finding your own niche and realizing the importance of whatever it is that you contribute to your world and those around you. It leaves you with a sense of purpose and the understanding that the grass is not always greener on the other side. And it makes your own grass look pretty good in the bargain. It's the magic of the movies. I rate this one 10/10.


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