The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make.Written by
Many of the actors who played the Nazis were in fact German Jews who had escaped from Nazi Germany. See more »
During the discussion between Rick and the police captain in the captain's office, the cigarettes keep changing - sometimes missing, burned at different lengths, etc. See more »
With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
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At the time of release, the film was banned in Germany because the story was considered to be anti-Nazi propaganda by the wartime censors. After the end of World War II, the picture was finally released in Germany but with around 20 minutes of footage cut (all scenes with Major Strasser and all references to Nazism). Other scenes were dubbed so that they had a totally different meaning (Victor Laszlo became Victor Larsen, an atomic physicist). In the 70s the film was redubbed by the ZDF, this time in its uncut form. See more »
There are literally hundreds of comments about this movie on IMDB. Many of them exhort its greatness. I don't disagree with them.
But I'd like to add a suggestion to those of you out there who haven't seen this film. I'd like to tell you HOW to watch it.
The people who made this movie didn't think they were producing a masterpiece. Bergman left the shoot disgusted. The screenwriters were on salary for Warners, writing half a dozen movies a year, and this was just one more. Bogie was punching the clock in the middle of a workhorse career.
So as an audience member, you can't sit down expecting gilded greatness.
Don't have a Casablaca party. Don't watch it on your first date, hoping it will lend that "Romantic Touch." Don't watch it as part of your "I need to watch the Best 10 movies of all time" Film School project.
Buy this movie on DVD. Have it at the ready. And then, one Friday night, when your plans fall through and you find it's 10:30pm and there's nothing on TV that's any good, open a six pack of beer, or pour yourself some wine, and watch this movie in a darkened room.
The characters in Casablanca are absolutely devoid of sentimentalism. Every one of them sees the world without a hint of rose color in their lenses. As Rick says, "Three little people don't amount to a hill of beans in this big old world." If you're in a mood where you understand what he's saying, watch this movie and it will transport you.
There is no single movie that deserves to be called the best movie of all time. Because movies, when all is said and done, don't amount to a hill of beans. They are meant to entertain us, not for us to worship THEM.
But no movie has ever known this fact like Casablanca.
If you watch Casablance this way, with no expectations, with no "hype," you might catch 10 percent of its greatness on one viewing. And that will be enough to start you on your way.
Happy viewing, kid.
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