In search of a better life, a railroad worker (Foo) finds himself on the wrong side of a group of corrupt lawmen. As the Marshal (Adkins) attempts to control his town, tragedy strikes forcing him to decide between justice and family.
Timothy Woodward Jr.
Sean Patrick Flanery
Economic collapse causes widespread rioting and social unrest, leaving a lovesick 19-year-old girl struggling to care for her siblings in a stretch of woods bordered by lawless anarchy, ... See full summary »
Saved from a lynching party when Molly Denton (Nell O'Day) and Nina Kincaid (Anne Nagel) bring proof of mistaken identity, roving cowpuncher Steve Hardin (Johnny Mack Brown) is offered a job as a stagecoach guard by Molly's father Joseph Denton (Henry Hall). When Denton is ambushed and killed in an attempt to get a gold shipment through to the next town, Steve signs on himself and his sidekick, Clem Clemmons (Fuzzy Knight), as driver and guard for the stage line.Written by
Les Adams <firstname.lastname@example.org>
The plot is formula, but more than the usual amount of imagination went into the storyline. As a former Front-Row kid, I've seen hundreds of these Saturday afternoon horse operas. But this is the first time I've seen a stagecoach turned into an armored car, courtesy of metal plates. So, the bad guys get a big surprise out of that western cliché, the stage hold- up, thanks to an imaginative screenplay.
Still, the bad guys could have triumphed had they broken a paramount taboo—they could have shot one of the stagecoach horses and ended the chase right there. But then thousands of us Front Row kids in 1942 would have stormed the screen and ripped it down. It's okay to shoot as many guys as needed, but shoot a horse and America's kids would come after you, no holds barred. Okay, I exaggerate, but not much. Nor was this taboo confined to kid westerns. Check out John Ford's epic A-western, Stagecoach (1939). There you'll see the same set-up—Indians chasing a stage, taking big casualties, but never once shooting a horse. Some things, it seems, are just too sacred to do, regardless of budget size.
I digress, but the taboo remains an interesting point, and on clear display in this 60-minutes. Anyway, the movie's a pleasant mix of action, song, and bad guy intrigue. Watch for hulking Glenn Strange, the bartender from the Gunsmoke TV series (1955-1975), as the chief henchman. I also like the actress Nell O'Day who has maybe the best name for a western belle that I've seen. Anyhow, this Johnny Mack Brown special remains an hour of old time fun for this now Front Row geezer.
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