In 1915, Atlantic City is a sleepy seaside resort, but Brad Taylor, son of a small hotel and vaudeville house proprietor, has big plans: he thinks it can be "the playground of the world." Brad's wheeling and dealing proves remarkably successful in attracting big enterprises and big shows, but brings him little success in personal relationships. Full of nostalgic songs and acts, some with the original artists.Written by
Rod Crawford <email@example.com>
There is a segment of the film marking the Miss America Pageant, which reflects its early start as "Inter-City Beauties", where candidates from around the United States competed at the local level. Thus there are entrants fading past like Miss New Orleans, Miss Boston, Miss Washington D.C., Miss Salt Lake City, Miss Los Angeles, Miss Seattle, intermixed with state entrants Miss Kentucky, Miss Indiana, Miss Texas, Miss Nevada, Miss Georgia, Miss Florida, and Miss California. See more »
On the Boardwalk at Atlantic City, Life Will Be Peaches and Cream
Ray McCarey directs this Betty Grable-style musical (think CONEY ISLAND) for a surprisingly good Republic flick. The leads are competent, although relatively unknown, but there is an excellent supporting cast, including Charley Grapewin, and the film is eked out with some marvelous vaudeville and performing talent, including Joe Frisco, Al Shean, Louis Armstrong, Paul Whiteman and Buck and Bubbles, a great dancing act.
The plot concerns Stanley Brown, who -- in the movie, anyway -- came up with all the ideas that made Atlantic City a major resort in the first half of the 20th Century, but stepped on everyone on the way up. The performances and photography are excellent and serve as a fine backdrop. If you're a fan of old-time vaudeville, definitely worth your time.
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