A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, ... See full summary »
A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a detective in solving the case. Through a series of tests, he discovers which twin actually committed the crime and in the course of his investigation he falls in love with the normal twin.Written by
Neil Doyle <Doylenf@msn.com>
Although the name pendants, monogram dressing gowns and brooches are swapped for plot purposes, Terry is consistently left-handed and is the only one who smokes. See more »
The daytime overhead general shot of the police car arriving at the Medical Building with the witnesses gives the pedestrians opposite shadows to those of the vehicles. In the following mid shots the direction of light has changed again. See more »
The film is a little bit light, with a bumbling detective played by Thomas Mitchell and vintage Freudian psychoanalysis presented by Lew Ayres, but the twin sister role, one a good girl the other very bad, played by Olivia De Havilland has its moments. Her soft voice can go either direction, sweet and innocent or cold and devious, and the scenes where she is playing both parts, essentially talking to herself, convey a split personality, which might not have been such a bad idea, instead of making two distinct persons. It reaches a zenith in one scene in their dark bedroom with the innocent twin tormented by the mean one, who's telling her to take her sleep medication, and who in fact would like to see her overdose. Freudianism and bungling detective work win out in the end, making this all seem too convenient, and dodging a lot of the possibilities, but the central part, or parts, is DeHavilland at her best.
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