After County Attorney Dave Connors helps Julia Norman with her shiftless father, Jefferson Norman, she leaves Jericho, Kansas to college to study for a law degree.A few years later, Algeria... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
In the final days of WW2, in a M.A.S.H. unit in Burma, a severely wounded corporal watches in dismay as fellow soldiers pack-up to return home but a caring nurse and five remaining soldiers bring him solace.
Eugene O'Neill's updated version of the Oresteia. In New England, after the American Civil War, a war-weary Agamemnon, Brigadier General Ezra Mannon (Raymond Massey) comes home to his unhappy wife Christine (Katina Paxinou) and loving daughter Lavinia (Rosalind Russell). But Lavinia's ex-suitor, Adam Brant (Leo Genn), has become Christine's lover, and together Adam and Christine plot to poison Ezra. When they succeed, Lavinia turns to her brother Orin (Sir Michael Redgrave) to help bring the lovers to justice, but when they succeed, Orin goes mad and his suicide note may come between Lavinia and her new suitor, Peter Niles (Kirk Douglas).Written by
Although billed ninth in the credits, Sara Allgood appeared only in one scene as Adam Brant's (Leo Genn's) landlady in New York City, and does not have a single line of dialogue. She is only seen climbing the stairs in one shot less than ten seconds long. See more »
While Orin is standing by a bench where Lavinia is seated, he holds his hat by his side and drops it. It just lies there on the dirt path as he sits down, and he doesn't pick it up. See more »
You folks at home take death so solemnly. You have to learn to mock or go crazy.
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After its original "roadshow" engagement in 1947, where the full 173-minute version was shown (with an intermission), "Mourning Becomes Electra" was cut to 121 minutes for the remainder of its theatrical run. This version is not available for television, but does exist in 16mm prints. See more »
I have seen this movie in bits and pieces over the years and therefore had seen the entire film before. But not all at once. Tonight I did. For those who know the original ancient Greek plays that this was taken from, it enhances the modernizing that Eugene O'Neill did with his treatise. It is, in and of itself, a brilliant literary work. This story, whether in the old Greek, or the 20th century version (the writing of it), is a daunting tale to tell for any actor. For my tastes, the women in this film were over the top. Fine actresses both, Katrina Paxinou as Christine the mother, and Rosalind Russell as Lavinia the daughter (or Electra), they perhaps could have used the help of a better director. The men were all fine. Though Raymond Massey's greatest contribution was his wonderful movie presence. But to watch Michael Redgrave's amazing performance was worth every other flaw. He took a part that was, indeed, full of words, and made them flow so naturally from his mouth, that I believed people DID speak that way. And with that wonderful naturalness, he achieved such depth of emotion! Love, anger, fear, hatred, and guilt to the point of paranoia and virtual insanity. I have seen other movies of his, and have always understood, simply enough, how his progeny became such fine actors. Sir Michael Redgrave was an actor that could bury himself in any part. But I saw this performance, just now, as if for the first time. So real, so believable, so brilliant.
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