Writer Georges Duroy (George Sanders) is one social-climbing S.O.B. who does most of his climbing over the warm (and cold) bodies of women. He begins with Rachel (Marie Wilson), a hanger-on...
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Loosely inspired by Gauguin's life, the story of Charles Strickland, a middle-aged stockbrocker who abandons his middle-class life, his family, and his duties to start painting, as he has ... See full summary »
It's 1939 in the small English town of Penny Green, and events in Poland are about to change lives. Mark Sabre (Walter Pidgeon), a writer of school text books, has married Mabel (Dame ... See full summary »
A former reporter comes back home after serving in the army during World War I and finds that it's much more difficult to find work than he expected. Desperate, one day he crashes a wedding... See full summary »
In 1950s French Morocco, a local ruler and his friend, a French doctor, fall in-love with the same Arab girl and must also deal with an outbreak of plague and with the marauding Tuaregs who steal the vaccine shipment.
Writer Georges Duroy (George Sanders) is one social-climbing S.O.B. who does most of his climbing over the warm (and cold) bodies of women. He begins with Rachel (Marie Wilson), a hanger-on in the cafés and Folies Bergere crowd, and then moves on to dally with Clotilde de Morelle (Dame Angela Lansbury). Always striving to move upward on the social scale, he ditches her to marry Madeleine Forestier (Ann Dvorak). Now he gets on the fast track. He persuades Madame Walter (Katherine Emery), the wife of his publisher, to fall in love with him, and then compromises Madeleine to frame a divorce, so he can pursue Madame Walter's daughter, Suzanne (Susan Douglas Rubes). He moves along so well that ere long he is in legal position to usurp the title of one of France's most noble houses. The moral, at the end, is it is okay to mess with French women, but triffling with French titles is going too far.Written by
Les Adams <email@example.com>
The producers held a contest for artists to create a painting about the temptation of Saint Anthony for use in this movie. The artists were paid five hundred dollars each and got to keep their paintings after the pictures toured the U.S. and Britain during 1946 and 1947. Although Max Ernst won the contest (receiving an extra two thousand five hundred dollars) and got his painting on-screen, Salvador Dalí's contribution (featuring a parade of spider-legged elephants tormenting the saint) became better known. The other artists who submitted paintings are Leonora Carrington, Ivan Le Lorraine Albright, Stanley Spencer, Eugene Berman, Paul Delvaux, Louis Guglielmi, Horace Pippin, and Abraham Rattner. Artist Leonor Fini was also invited to contribute, but she never produced a painting. See more »
At 9', a piano player and a violin player are doing a number. We hear a vibrato on the violin, but the left fingers of the player are not moving at all. See more »
Sonata in D
Written by Pietro Nardini See more »
an adaptation. and a great cast. perfect choice for Georges Duroy character. a subtle, precise, impressive George Sanders in one of his magnificent roles. so, the key is not manner to adapted the novel of Maupassant but the art of each actor. because this movie is scene for a lot of stars. the story is old but the play is new. the novel is French and the science of details and nuances makes this American movie fruit of French cinema. the tale of Bel Ami is, in great measure, grace of Sanders and his partners, slice of Dorian Gray. it is not a masterpiece but it is a very interesting lesson. to define a world, to discover a book, to escape from Nick Ormerod last adaptation spell. a film as old yellow picture. good beginning to visit a world, to joy with drops of old fashion cinema style, to rediscover few crust of emotions and reflection to our small and bleak world.
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