Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
A mousy drugstore manager turns killer after his conniving wife leaves him for another man. He devises a complex plan, which involves assuming a new identity, to make it look like someone else murdered her new boyfriend. Things take an unexpected turn when someone else commits the murder first and he becomes the prime suspect.Written by
Daniel Bubbeo <email@example.com>
Exterior of the street outside drugstore (shot on actual location) do not match with views of same street as seen through window of drugstore interior (a set). See more »
Lt. Collier Bonnabel:
I'm Collier Bonnabel. I'm a cop. I'm a Lieutenant Detective in, uh, Homicide. That's a fancy name for murder. We get plenty of tough cases. Solve most of 'em, sure. But how?
[begins to stretch and relax a rubber band]
Lt. Collier Bonnabel:
I only know one way, one thing that breaks 'em wide open - tension. I work on people, on suspects. Play up to them. Play up to their strengths, pour it on their weaknesses. Romance 'em or ignore 'em. Kiss 'em. Press 'em. But whatever way, keep stretching them.
[...] See more »
Though there are a few ridiculous elements to the story, standout performances, good direction and fine camera work make this one a winner. The epitome of a slut/bitch is found in the character of Claire Quimby with all the blank spots filled in by what should have been an award-winning portrayal by Audrey Totter. Almost matching her is Richard Basehart as her doting husband Warren Quimby and his alter ego Paul Sothern. It's also fun to see the talented Tom D'Andrea (the beloved Gillis in "The Life of Riley") as an "I told you so" employee friend Freddie and William Conrad ("Cannon" and radio's Marshal Dillon)as Police Lt. Edgar 'Blackie' Gonsales. Both add a degree of humor and lightness needed for a movie filled with tension.
Take away the sappy Clark Kent glasses incognito and the not only unorthodox but also highly unethical, maybe downright illegal even in 1950, method used by Police Lt. Collier Bonnabel (Barry Sullivan) to trap Claire Quimby and you have a truly intense suspenseful murder flick in the film noir tradition.
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