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During the 1950s, the Cold War is pitting the USA and its allies against the USSR and its satellites. One such Soviet satellite nation, Hungary, arrests an American named Anderson, and charges him with spying. Communist Hungary is putting on a show trial which is broadcast internationally, to prove the hostile aims of aggressive American Imperialists. The heavily censored news from the trial in Budapest come down the wire to the Paris office of the New York Herald-Tribune where editor-in-chief Nick Strang anxiously awaits more details from his Budapest correspondent, Barker. Nick also assigns journalist Jeanne Moray, a Frenchwoman, and the paper's top reporter, American Jimmy Race, to interview the Hungarian ambassador in Paris. Unbeknown to them, Hungarian agents clandestinely follow Jeanne and Jimmy Race to the embassy. These agents have a good reason to follow Jeanne. While she was in Budapest, she was investigating a lead that could prove the Hungarian leadership is attempting a ...Written by
Assignment: Paris is another of those films with a faraway location that never got past the Columbia back lot. Still it's a decent enough Cold War noir thriller.
Dana Andrews is a hotshot reporter for the New York Herald Tribune assigned to its prestige international division in Paris which is headed by editor George Sanders. Andrews is covering the capture and trial of an American for espionage by the Hungarian hardline regime. Of course when he's sent to Budapest in pursuit of the story, Andrews becomes the story himself and Sanders works like a demon to get him free.
Sanders is aided and abetted by the lovely Marta Toren who gets in a bit of hot water herself in the effort. Audrey Totter, the fashion editor, provides moral support all around.
Hard to believe that in five years Toren would be gone, dying of leukemia at a young age. That was one extraordinarily beautiful woman, what a career she should have had.
Though Andrews is first billed, the film is really carried by Sanders in one of his few roles as a good guy. The man with the built in sneer carries the part off well.
The Cold War atmosphere was just right for these shadowy noir films of intrigue. Assignment: Paris is a good representation of the times.
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