When she has a fight, with her husband, Lucy runs out of the house, and into a night of terror. She heads for the local cinema, and in doing so, becomes the only eyewitness to a couple of ... See full summary »
A woman's painted portrait and a post card with a sketch of a woman's hand holding a Chianti bottle are the main clues used by the Scotland Yard to solve a string of murders connected to a diamond-smuggling ring.
A young woman who has been abused and taken advantage of by all the men in her life, finally finds a man she believes truly loves her, but she snaps when she finds out that he, too, is ... See full summary »
London, 1888: on the night of the third Jack the Ripper killing, soft-spoken Mr. Slade, a research pathologist, takes lodgings with the Harleys, including a gloomy attic room for "experiments." Mrs. Harley finds Slade odd and increasingly suspects the worst; her niece Lily (star of a decidedly Parisian stage revue) finds him interesting and increasingly attractive. Is Lily in danger, or are her aunt's suspicions merely a red herring?Written by
Rod Crawford <firstname.lastname@example.org>
The sixth and last victim of the Ripper in the film is Irish immigrant Mary Lenihan, who is killed in her one room flat. Her dying screams alert nearby constables who narrowly miss catching the serial killer. In reality, the last of the Ripper's five, not six, canonical victims was Irish immigrant Mary Kelly, killed and disemboweled in her one room flat, the only one of the victims killed indoors. Kelly's screams, if any, went unheard, and the Ripper mutilated her at his leisure throughout the night. The ghastly sight was not discovered until the morning when a rent collector saw the ghastly scene through her window at 10:45 a.m. See more »
In the opening and closing shots which include London Bridge at night, anachronistic cars and buses clearly can be seen crossing the Thames. See more »
[Referring to the death masks of killers in the black museum]
You treat them like trophies... like a stuffed elk head mounted over the fireplace.
Insp. Paul Warwick:
Yes, a little, but these were more dangerous than an elk. Man unfortunately is the most dangerous of all beasts.
Man is not beast.
Insp. Paul Warwick:
Murderers are beasts.
See more »
Fairly stylish and suspenseful 50's remake of "The Lodger", a story set during Jack the Ripper's reign of terror in London near the end of the 19th century. In one of his earliest film roles, the tall and handsome Jack Palance portrays a quiet and introvert pathologist on the lookout for a room in the center of London. He finds one in the house of Helen and William Harley where he spends most of the time working in the attic. His behavior becomes increasingly strange, especially when he falls in love with the singer/showgirl niece of his landlords. Suspicions arise that the distinguished Mr. Slade is the feared maniac Jack the Ripper. There's very little action in "Man in the Attic", but it's atmospheric and both acted & directed with devotion. Palance looks menacing and mysterious and he receives excellent feedback from his supportive cast, most notably from Rhys Williams as the cynical Mr. Harley. Too bad the film also features two overlong cabaret-like musical sequences, which are really misplaced, and I personally would have preferred some more info and details regarding the Ripper-killings. Not for nowadays horror-audiences, but worth a look in case you're a fan of classy, tension-driven thrillers.
25 of 29 people found this review helpful.
Was this review helpful to you?
| Report this