Set during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.
Dr. Michael Corday, a recent graduate of the Harvard Medical School, is the son of Dr. John Corday, an eminent New York City surgeon who has a tendency to continue to direct the lives of ... See full summary »
Dr. Simon Sparrow (Dirk Bogarde) graduates and sets out into the world. Hilarious internships with a miserly doctor and his young wife, a country doctor paid in kind not cash, and a quack ... See full summary »
A young insecure college sportsman is in trouble. He wants to marry his very straightforward girlfriend, also a student, but has no money. When he is offered a bribe to fix a game, he is torn even more about the matter.
In 1942, a group of young men join the Marines, leaving loved ones behind. Primed for battle, they are frustrated by many non-combat assignments, as we follow their wartime romances, especially Andy Hookens' involvement with Pat, a New Zealand widow. Andy and Pat have just decided that war requires them to 'live for the moment' when, in 1944, our team finally goes into a real battle...Written by
Rod Crawford <email@example.com>
Leon Uris, author of the novel on which the film is based, served during World War II as a radio man in the 2nd Battalion, 6th Marines, both the same military occupational specialty and organization of the novel and film's characters. Uris was engaged in combat during the Guadalcanal and Tarawa campaigns, being evacuated with malaria before the novel and film's climactic Saipan campaign. See more »
Several scenes show African Americans in a predominantly white unit. The armed forces were racially segregated in WWII. See more »
For Danny Forster, the war was over. For me? Well, you know how us old timers are. There'll always be boys to be trained and there'll always be battles to be wan. And like I said, politics and wars make strange bedfellows.
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For those of us who lived thru the War, BATTLE CRY is a splendid multi story Marines in Love and War drama, masterfully overseen by veteran Raoul Walsh, with a career perf by Aldo Ray, backed with fine work from Van Heflin, James Whitmore, Tab Hunter, Nancy Olson and others in a star cast. A huge box office hit from an equally big bestseller, marking a vast improvement on the book. Sentimental, exciting, plausible, involving and thoroughly entertaining; its 149 minute running time paced properly, unlike today's bloated epics, which seem to embrace overlength as a substitute for content and skill. Unlike Spielberg's yawner, CRY didn't need to resort to F/X bloodbaths to awaken the audience's attention.
I saw BATTLE CRY on Feb. 19, 1955 at the Laurel Theatre in San Carlos, a Saturday night at the movies in an Art Deco suburban house. Maybe you have to be 66 to appreciate this film for what it represents; and maybe you need to be 26 to swallow Spielberg's version of D-Day. I'll stick with BATTLE CRY.
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