7.3/10
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33 user 61 critic

Lola Montès (1955)

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2:24 | Trailer
Biopic of adventurer Lola Montès who ends up as a circus attraction after being romantically involved with famous European men.

Director:

Max Ophüls (as Max Ophuls)

Writers:

Jacques Laurent (based on the novel by: "La vie extraordinaire de Lola Montès") (as Cécil Saint Laurent), Max Ophüls (scenario) (as Max Ophuls) | 3 more credits »
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Martine Carol ... Lola Montes
Peter Ustinov ... Circus Master
Anton Walbrook ... Ludwig I, King of Bavaria
Henri Guisol ... Horseman Maurice
Lise Delamare ... Mrs. Craigie, Lola's mother
Paulette Dubost ... Josephine, The maid
Oskar Werner ... Student
Jean Galland ... Private Secretary
Will Quadflieg ... Franz Liszt
Héléna Manson Héléna Manson ... Lieutenant James' Sister (as Helena Manson)
Germaine Delbat Germaine Delbat ... Stewardess
Carl Esmond ... Doctor (as Willy Eichberger)
Jacques Fayet Jacques Fayet ... Steward
Friedrich Domin ... Circus Manager
Werner Finck ... Wisböck, The artist
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Storyline

The film tells the tragic story of Lola Montès, a great adventurer who becomes the main attraction of a circus after being the lover of various important European men. Written by Volker Boehm

Plot Summary | Plot Synopsis

Taglines:

She lived too intensely and far too well! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

France | West Germany

Language:

French | German | English

Release Date:

23 December 1955 (France) See more »

Also Known As:

Lola Montès See more »

Filming Locations:

Hohentauern, Austria See more »

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Box Office

Opening Weekend USA:

$12,569, 12 October 2008

Gross USA:

$120,306

Cumulative Worldwide Gross:

$303,175
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby (Restored version)| 4-Track Stereo (Western Electric Sound System)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

This film is part of the Criterion Collection, spine #503. See more »

Goofs

When the Circus Master first tries to recruit Lola, he lists San Francisco as an important North American city, and includes Buffalo Bill in a list of major circus figures. This scene is set shortly before Montez left for Bavaria, so it must be late 1845 or early 1846. San Francisco was called Yerba Buena until 1847, and the name Buffalo Bill was first applied in the 1860s to William F. Cody, who was born in 1846. See more »

Quotes

[first lines]
Circus Master: And now, Mesdames et Messieurs, the moment you've all been waiting for. The most sensational act of the century. Entertainment, emotion, action, history. Mesdames et Messieurs, Ladies and Gentlemen, meine Damen und Herren, a creature a hundred times more murderous than any beast in our menagerie. A bloodthirsty monster with the eyes of an angel. Ravaged hearts, squandered fortunes, the saraband of lovers, scepters, crowns, an authentic revolution.
Female Circus Jugglers: Authentic!
Circus Master: Passion and glory, ...
[...]
See more »

Alternate Versions

The English version was intended for international release and ran at 140 min. The public reaction after the world premiere in Paris was riotous, and led to police intervention and production cuts of four scenes in the German and French versions, and that the English version was never shown. See more »

Connections

Featured in Max & James & Danielle (2015) See more »

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User Reviews

 
Spectacularly Dull
25 January 2010 | by HitchcocSee all my reviews

If a film were purely spectacle and music, I would give this a 10. Unfortunately, the lack of charisma of the principle actress makes it hard to sit through. It is a series of vignettes offered to attendees of a circus where Miss Montes answers questions for a quarter and lets her hand be kissed for a dollar (the French exchange rate comes into play, of course). The movie is nice to look at with rich colors and interesting circus scenes. I wonder if the film has been worked on because it literally glows. It's the self importance of Carol and the tiresome people who seem to bring it down a bit. I never felt sympathy for her character; her arbitrariness just lost me. Franz Liszt looks like the second place winner in a Fabio look-alike contest. Then we are to feel great sorrow for her because she needs to stay in a dormitory for a short time on an ocean voyage. Because she feels slighted, she begins to get this crust about her and begin to use people. She is a courtesan in the true sense. Carol just doesn't work. Now Marlene Dietrich. There you go. Ophuls is interesting and this was his last film. It's certainly eye candy.


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