American expatriate John Robie, living in high style on the Riviera, is a retired cat burglar. He must find out who a copycat is to keep a new wave of jewel thefts from being pinned on him. High on the list of prime victims is Jessie Stevens, in Europe to help daughter Frances find a suitable husband. The Lloyds of London insurance agent is using a thief to catch a thief. Take an especially close look at scene where Robie gets Jessie's attention, dropping an expensive casino chip down the décolletage of a French roulette player.Written by
Dale O'Connor <firstname.lastname@example.org>
When our heroes watch the fireworks display from a hotel room, no light from the fireworks is reflected on any of the surfaces in the actual hotel room, despite the fact that it is a massive light display and they are watching it in the dark (because it's just a rear projection). See more »
The opening title sequence shows the window of a travel agent, with the text of the titles superimposed. The bottom of the window is not quite horizontal because the window is seen from a slight angle to perpendicular. The text of the titles is given slight parallelogram distortion so the bottom line of text is parallel to the window-sill, and therefore it is not horizontal and parallel with the film frame. See more »
Many people don't consider 'To Catch a Thief' as one of Hitchcock's best, but I would argue that it depends on how you look at it. No, it isn't as suspensfull as some of his other thrillers such as 'Vertigo', but for sheer enjoyment it must rank up amongst his best. Cary Grant and Grace Kelly combine well, making it a pleasure to watch, and a film I smiled all the way through. Maybe it isn't a 'critically acclaimed masterpiece', but it is certainly a joy to watch.
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