6.6/10
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38 user 10 critic

Back from Eternity (1956)

When a commercial plane force-lands in a South-American jungle, the passengers and pilots must patch-up the engines and escape the cannibal-infested area.

Director:

John Farrow

Writers:

Jonathan Latimer (screen play by), Richard Carroll (story by)
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Cast

Complete credited cast:
Robert Ryan ... Bill Lonagan
Anita Ekberg ... Rena
Rod Steiger ... Vasquel
Phyllis Kirk ... Louise Melhorn
Keith Andes ... Joe Brooks
Gene Barry ... Jud Ellis
Fred Clark ... Crimp
Beulah Bondi ... Martha Spangler
Cameron Prud'Homme ... Prof. Henry Spangler
Jesse White ... Pete Boswick
Adele Mara ... Maria Alvarez - Stewardess
Jon Provost ... Tommy Malone
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Storyline

A South American plane loaded with an assortment of characters crash lands in a remote jungle area in the middle of a storm. The passengers then discover they are in an area inhabited by vicious cannibals and must escape before they are found. Written by Col Needham <col@imdb.com>

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Taglines:

Ooh That Ekberg! See more »

Genres:

Adventure | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

19 February 1957 (West Germany) See more »

Also Known As:

Portofino See more »

Filming Locations:

Burbank, California, USA See more »

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Box Office

Gross USA:

$1,500,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The process of head-shrinking is well-known and is documented as being practiced by certain indigenous tribes in the northwestern Amazon jungle. The technique described en route by Vasquel (Rod Steiger) for preparing the severed head is accurate. See more »

Goofs

A Douglas DC-2 carried a maximum 14 passengers. That plus any baggage or freight aboard could max at 6,100 lbs. So, stripping this plane down to nothing but 4 people and a child in order to take off would seem to be overkill. And taking off in mere seconds from rocky, uneven ground in a jungle also strains credibility. Planes need flat-surface runways (manmade or natural) for enough time and room to increase their needed airspeed for lift-off. See more »

Quotes

Pete Boswick: That's just it, boss. Why don't you get a woman here and send her instead of me?
Thomas J. Malone: Because I don't know any woman that carries a gun.
See more »

Connections

Remake of Five Came Back (1939) See more »

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User Reviews

This remake is the one to see
12 June 2002 | by grstmcSee all my reviews

After having just seen BACK FROM ETERNITY for the first time in about a "hundred" years, I really have to weigh in with my opinion on this. It is one of the few times when the remake is an improvement on the original, exceptionally so.

I saw the original (FIVE CAME BACK) some time ago and, from what I can tell, the only thing which could possibly raise it even slightly above the superior remake is the curiosity factor of having Lucille Ball in the cast. Other than that, the acting and the production were very wooden and dated, and the overall cast pales in comparison to that which was assembled for ETERNITY.

For anyone not familiar with the story, a plane crashes in the midst of a remote South American jungle. Besides the pilot and co-pilot, there are nine passengers: a so-called "fallen woman", an engaged couple, an elderly professor and his wife, a small boy and his guardian, and a cop with a prisoner in tow. They must stay alive until the plane is repaired, a task complicated by the realization that they are surrounded by a hostile tribe of headhunters.

Here you have Robert Ryan instead of Chester Morris, Rod Steiger instead of Joseph Calleia, and Gene Barry instead of Patric Knowles. Ryan and Steiger especially, in the main roles, display more screen presence and acting talent in this one film than their predecessors were able to conjure up in their entire careers.

Ryan plays the world-weary pilot, another of his sturdy and dependable performances which are often overlooked and not fully appreciated because he made it seem so effortless. Steiger has the more colorful role as the anarchist, with only imprisonment and execution waiting for him if and when they make it back to civilization. The same talent, which would gain an Oscar for the actor some ten years later, is clearly evident here.

The underrated Keith Andes (as the co-pilot, instead of forgettable Kent Taylor) gives a hint of the star he could have become, and the equally underrated Phyllis Kirk is far more effective in her role than whoever played it in the original. Barry, usually cast as a good guy, gives a good account of himself, playing Kirk's fiancée. Whereas most of the other passengers rise to the occasion, his character becomes increasingly desperate, grasping, and unstable.

Anita Ekberg, frequently dismissed as an actress, may not have been as talented as Lucille Ball (who played the part in the original), but at least proved that she could indeed act, and is certainly more convincing in this type of role than Lucy was.

Of note is a pre-Lassie Jon Provost as the little boy. Jesse White, better known for his work in comedic films, does a fine job as the boy's roughhewn guardian, and Fred Clark is good at giving a distasteful stamp to the rather seedy cop. Above all, Cameron Prudhomme and Beulah Bondi, as the old professor and his mrs., give two very moving, heartfelt performances.

The story concerns the characters' survival, how each holds up under the pressure and are changed by the situation. Steiger begins to rediscover some of the values of his youth, but then finally takes it upon himself to decide who will live and who will die, when it is learned that some must stay behind. The conclusion builds to a shattering climax that will stay with you long after the film ends. This is the remake to see and it is definitely worth seeing.


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