After just being released from a five year stint in prison, Johnny Clay has assembled a five man team, including two insiders, to carry out what he estimates will be a $2 million heist at Lansdowne Racetrack, that take, minus expenses, to be split five ways. Besides Johnny, none of the men truly are criminals in the typical sense. In addition to the other four team members, Johnny has hired two men external to the team to carry out specific functions for a flat fee, the other four who will not meet the two men for hire or know who they are, while the two men for hire will not be told of the bigger picture of the heist. None involved are to tell anyone, even their loved ones, about the job, each of the five who has a specific reason for wanting his share of the money: Johnny, in wanting to get married to his longtime girlfriend Fay, the two who have known each other since they were kids, realizes that to live comfortably, he has to shoot for the moon instead of carrying out the penny ...Written by
The location where John Clay (Sterling Hayden) proposes the deal to Maurice Oboukhoff (Kola Kwariani) is a mock-up of the 42nd Street Chess and Checker Parlor in New York City. Director Stanley Kubrick was a regular chess player there, as was Kola. See more »
During the fight scene at the race track, where the robber is let in the door in two scenes told from from different angle, you clearly see that the door is opened in different ways, and also that the robber is much quicker in the second time, though the scene is supposed to be the same. See more »
At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race. He was totally disinterested in horse racing and held a lifelong contempt for gambling. Nevertheless, he had a $5 win bet on every horse in the fifth race. He knew, of course, that this rather unique system of betting would more than likely result in a loss, but he didn't...
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Film noir in all its splendor, with a very dynamic rhythm, far from '2001, a space odyssey': an audacious burglary seems perfectly orchestrated and prepared with a surgical precision, until a minor glitch transforms a 'Symphonie fantastique' in a 'Descente d'Orphée aux enfers'.
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