Britain, 1953. Upon his return to work following a heart attack, barrister takes on a murder case,. The case is defending American war vet Leonard Vole, a poor, out of work, struggling inventor who's accused of murdering his middle-aged lonely and wealthy acquaintance, Emily French. The evidence is circumstantial but points to Leonard as the murderer, butr the csse has constant revelations.Written by
While it is generally supposed that Agatha Christie chose the name Vole after the ratlike rodent of the same name, in fact the word has several other meanings also relevant to this character. In cards, a "vole" means the winning by one player of all the tricks of a game. And the expression "go the vole" can mean either to venture everything on the chance of great rewards, or to try one thing after another, usually a variety of occupations - all perfect descriptions of Christie's ingeniously named "Leonard Vole". See more »
Both Sir Wilfred and Mr. Myers introduce evidence directly to the court themselves, which is against courtroom procedure. Sir Wilfred, for example, trumps Inspector Hearne's testimony by directly revealing Leonard Vole's blood type, instead of properly calling a witness with personal or professional knowledge of it. See more »
Mr Mayhew described you as the champion of the hopeless cause. Is it perhaps that this cause is too hopeless?
See more »
As the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution." See more »
Another brilliant work in the legendary career of Billy Wilder. The director signs a cinematic adaptation of this Agatha Christie story: actually it is really as if the camera went on stage for filming the play. But the film is passionating and exciting, there's no time to get bored.
Another thing we shall not forget is that Billy Wilder is European. He manages to keep the spirit of the film very British, with lots of humour and sarcasm. Compared to films like this one, "legal" movies from John Grisham's novels are empty and meaningless, without soul.
Mr.Wilder is the director, we know; we have Charles Laughton, Tyrone Power and Marlene Dietrich: what a cast! Add a superb black and white cinematography... The result is amazing, with a film where dialogues are flawless and carry everything.
Times are different now, but the atmosphere and the taste of movies like this one are impossible to find in contemporary films.
50 of 59 people found this review helpful.
Was this review helpful to you?
| Report this