Davy Crockett and his sidekick Georgie compete against boastful Mike Fink ("King of the River") in a boat race to New Orleans. Later, Davy and Georgie, allied with Fink, battle a group of ... See full summary »
A feature-length documentary showing the changing world of nature, the sky, the sea, the sun, planets, insects and volcanic action. A story of nature's strange and intricate designs for survival and her many methods of perpetuating life.
In 1764, the British come to an agreement with the native Delaware tribes in order to bring peace to the region. The Delaware tribes agree to stop their attacks on the white settlers and to relinquish all their white captives to the British. In return, the British promise to stop white settlers from settling on Delaware lands across the Ohio River and to cease slaughtering the natives. British Army scout Del Hardy, who once lived among the natives, serves as negotiator and translator for the British colonel Henry Bouquet. During the exchange phase, the Delaware tribes surrender their white captives to the British forces. Among the whites returning to civilization is Chief Cuyloga's adopted son, True Son, formerly known as Johnny Butler. With a heavy heart, Chief Cuyloga parts with his son and asks him to obey his white family once Johnny becomes a white man again. Despite his promise to obey his white parents and to integrate again into the white settler society, Johnny Butler has ...Written by
Beautiful production, but it needed more humor and heart...
James MacArthur is very good in early role as young white man in 1760s Philadelphia who, years earlier, was kidnapped and raised by the Delaware Indian tribe, now being traded back to his people as part of a peace agreement. The white man's customs have the kid alienated and sullen, but a sympathetic frontiersman and a lovely servant-girl try to help him adjust. MacArthur has a great masculine stance and a firm jaw--and he's unhurt by his Mohawk haircut--but he's perhaps too rigid; the character might have stood some silly, self-effacing moments. Everything in this adaptation of Conrad Richter's book is taken with the utmost seriousness, but where's the heart of the piece? And with whom should our sympathies lie? Wendell Corey overdoes his role as a town bully--not only racist and a liar, but an alcoholic as well--though Fess Parker's good-hearted scout relieves some of the tension in this solemn scenario. Carol Lynley makes her film debut (playing a white girl named, of all things, Shenandoe!); she's sweet flirting with MacArthur, and looks like Alice in Wonderland in her apron-dresses. Well-produced Walt Disney effort given by-the-books treatment, as if it were written and directed by stodgy history professors, though still engaging for fans of old-fashioned entertainment. *** from ****
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