6.8/10
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30 user 12 critic

The Wreck of the Mary Deare (1959)

Not Rated | | Adventure, Crime, Drama | 17 November 1959 (USA)
A disgraced merchant marine officer elects to stay aboard his sinking cargo ship in order to prove the vessel was deliberately scuttled and, as a result, vindicate his good name.

Director:

Michael Anderson

Writers:

Eric Ambler (screenplay), Hammond Innes (novel)
Reviews
1 nomination. See more awards »

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Cast

Complete credited cast:
Gary Cooper ... Gideon Patch
Charlton Heston ... John Sands
Michael Redgrave ... Mr. Nyland
Emlyn Williams ... Sir Wilfred Falcett
Cecil Parker ... The Chairman
Alexander Knox ... Petrie
Virginia McKenna ... Janet Taggart
Richard Harris ... Lieutenant Higgins
Ben Wright ... Mike
Peter Illing ... Gunderson
Terence de Marney ... Frank
Ashley Cowan Ashley Cowan ... Burrows
Charles Davis Charles Davis ... Yules - Quartermaster on Mary Deare
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Storyline

In the English Channel, John Sands (Charlton Heston), from a small rescue ship, finds the freighter Mary Deare drifting. Although there's only a little fire, the whole crew seems to have left the ship. John's already looking forward to a large salvage fee, but then he finds First Officer Gideon Patch (Gary Cooper) still on board. Sands can't get back to his tug boat and stays with Patch while Patch grounds the Mary Deare. Although he doesn't understand yet what happened on the Mary Deare, Sands allows Patch to persuade him not to talk about what he saw on-board, and to drag out the official investigation of the incident. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Taglines:

From the great suspense Best Seller about the ghost ship Mary Deare! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

UK | USA

Language:

English | French

Release Date:

17 November 1959 (USA) See more »

Also Known As:

Barco sin puerto See more »

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Box Office

Budget:

$2,596,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Blaustein-Baroda See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Charlton Heston was impressed that Gary Cooper still performed his own stunts, including remaining submerged for long periods of time, despite his age and obvious ill health. See more »

Goofs

Patch and Sands enter the sunken portion of the Mary Deare using SCUBA equipment and are followed by Higgins and crew members by observing their underwater lights. Close-ups show large amounts of bubbles from the SCUBA in the underwater shot but no bubbles seen by Higgins on the surface, which would have made their locations very obvious. See more »

Quotes

Gideon Patch: You listen! I didn't ask you to come on board, and I'm in command here! Now, if you don't like it, you can go over the side and swim!
See more »

Connections

Featured in The Flight of the Phoenix (1965) See more »

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User Reviews

 
Excellent ... if letter-boxed
20 March 2006 | by PanamintSee all my reviews

The night scenes are filmed very well but you must see them in wide-screen format or letter-boxed. For example, close scenes inside the ship at night are well filmed and staged, but literally won't make sense if not viewed letter-boxed. The outdoor sea scenes (almost all dark) are awesome, probably better than if they had been computer-generated. But again, the movements of the ships will not make sense if viewed other than letterbox. The story is largely told through movement- of ships, or of men moving around in the dark. I mention this to help any potential viewer.

Cooper gives a compelling, desperate performance that makes you really want to watch what happens to his character, Capt. Patch. Also, this is probably the most believable performance by Heston as an ordinary, non-historical, non sci-fi character. I was pleasantly surprised by both Cooper's and Heston's performances. Both performances are essentially very modern-style screen acting, and are not dated after these many years.

The supporting roles are undeveloped and one-dimensional, including the role so forcefully played by the young Richard Harris. Its a shame the great Virginia McKenna is so underused here. She could have made the film appeal to a broader-based audience. The other supporting actors (Alexander Knox at his most wooden) don't add to the film.

Even if you don't like seafaring stories, watch this for the acting by the two stars, and for the marvelous night cinematography. Film students and buffs should look carefully at the night scenes inside the ship and on the docks. You will see true night cinema work, with perfectly set light meters and minimalist lighting. In other words: nighttime lighting and camera artistry, not gimmicks.


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