A juvenile offender (Sir Tom Courtenay) at a tough reform school impresses its Governor (Sir Michael Redgrave) with his running ability and is encouraged to compete in an upcoming race, but faces ridicule from his peers.
Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
Billy is an idealistic young man who is trapped in a boring life. He works in a tedious job in an undertaker's office with a permanently uptight employer, dates a soppy girl who fails to ... See full summary »
Charlie returns to the East End after two years at sea to find his house demolished and wife Maggie gone. Everyone else knows she is now shacked up with married bus driver Bert and a ... See full summary »
A young British clerk in a gloomy North Country undertaker's office, Billy (Sir Tom Courtenay) is bombarded daily by the propaganda of the media that all things are for the asking. This transparently false doctrine, coupled with the humdrum job and his wild imagination, leads him on frequent flights to "Ambrosia", a mythical kingdom where he is crowned King, General, lover, or any idealized hero the real situation of the moment makes him desire. His vacillating commitment and post-adolescent immaturity have created situations which make Ambrosia all the more attractive. He's succeeded in becoming engaged to two different girls, simultaneously, while in love with a third, Liz (Julie Christie). He's in hot water with his employer, having spent a rather large sum of postage money on his personal frivolities. And last, but not least, his dream of becoming a highly-paid, famous scriptwriter in London seems to be doomed to failure. The only person in his life capable of bringing him down to...Written by
I was a teenager when the film was made, and immediately recognized the pictures of cities in the 60's, the cars, streets, buildings, the interior of the houses. Even so the way people looked and talked. Beautiful. I never read the book but it seemed to me that Billies dreams were put on screen a bit overdone but therefore also very funny. Like small boys càn exaggerate, but Billy was not a small boy anymore, and therefore really a sad guy. His family had had it with him, quarrelling all the time, his boss and colleagues saw through him and everywhere his time was running out. That he had 2-3 girlfriends was a miracle. His lying promises did the trick. Time for a change, one would say ! The climax was the end of course. All of a sudden Liz got on his right side with messages of love and persuaded him onto the train to London. She was enthusiastic and dedicated to get with him out of her dull-after-war-life and gloomy city. The message of the movie is: grab your chances now or don't. In the 60's that was a coming up and everyday question for many of the young people (and still is !) and therefore very actual (then and now). I liked the movie and how the actors created their characters. Tom Courtenay did it with very much conviction. A splendid, for that time spirited, and very good looking Julie Christie as Liz the new-age young girl, with no ties or limitations (responsibility ?) whatsoever to withhold her from doing what she wanted to. We saw more of these girls in Holland soon after 1963. See the movie: you won't regret it I'm sure. Hans Veldman.
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