With her infant daughter Margaret Rose in tow, Georgette Thomas pulls up stakes from Tyler, Texas to head to Columbus, Texas to be reunited with her husband, Henry Thomas, who has just been... See full summary »
Angie Rossini is an innocent Italian Catholic Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
Sentemental military comedy revolves around two contemporary army buddies, Master Sergeant Maxwell Slaughter (Jackie Gleason), a smooth operator, who supply Sergeant Eustis Clay (Steve McQueen) idolizes and hopes will join him as a civilian in a private business enterprise. Clay endeavors to be a player in the military, just like Slaughter, but it seems as though Clay still has a lot to learn from his mentor. They are joined by Tuesday Weld as a shrill dizzy blonde teenager named Bobby Jo Pepperdine and Tony Bill as bumbling Private First Class Jerry Meltzer, McQueen's screwball sidekick.Written by
The camera Clay uses for the "pin-up" contest is a Polaroid Land Camera Model J66. It uses Type 47 black and white roll film and was manufactured between 1961 and 1963. Retail price was $89.50 (or about $700 in 2016). See more »
At the fair when Bobby Joe throws the stuffed tiger at Sgt. Slaughter it is moving downwards with sound effects of hitting the ground. In the next split second shot Sgt. Slaughter has it tucked neatly under his left arm. See more »
MP Sgt. James Priest:
[suspiciously to Clay]
There's some kind of swindle going on around here , and right in the middle of it is you and Slaughter!
See more »
Oddball service comedy with unusually strong performances.
By the early 1960s, attempts at screwball comedies were often strained. This service buddy film is certainly oddball, and frequently lurches into unsettlingly dramatic material, but it contains one of Tuesday Weld's very best performances: her scene at the fair with Jackie Gleason is amazingly touching and funny and (startlingly) romantic. Any film that can sustain a comic-romantic idyll between Tuesday Weld and Jackie Gleason must be given credit (it's the only truly romantic scene in Gleason's movie career).
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