Cast overview, first billed only: | |||
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Enrique Irazoqui | ... | Cristo |
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Margherita Caruso | ... | Maria (giovane) |
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Susanna Pasolini | ... | Maria (vecchia) |
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Marcello Morante | ... | Giuseppe |
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Mario Socrate | ... | Giovanni Battista |
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Settimio Di Porto | ... | Pietro |
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Alfonso Gatto | ... | Andrea |
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Luigi Barbini | ... | Giacomo |
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Giacomo Morante | ... | Giovanni |
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Giorgio Agamben | ... | Filippo |
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Guido Cerretani | ... | Bartolomeo |
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Rosario Migale | ... | Tommaso |
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Ferruccio Nuzzo | ... | Matteo |
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Marcello Galdini | ... | Giacomo figlio di Alfeo |
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Elio Spaziani | ... | Taddeo |
Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He's in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions. Written by <jhailey@hotmail.com>
I must say, as a new IMDb user I find this place to express one views a rather welcome find. Cathartic to say the least. Certain films haunt me. "The Gospel According to St Matthew" is one of them. The only possible explanation is the passion of its maker. Everything about it is so real that I remember the first time I saw it, I felt I had met Jesus. My relationship with Jesus had been torturous at best. Raised catholic by very catholic pre- Vatican Council parents. So, part of my rebellion had always been underlined by moving away from that pathology as far away as possible. Pasolini however, a Marxist homosexual, showed me a human side of the man I was suppose to follow that made sense, that touched me. Enrique Irazoqui plays Jesus in a way that may explain everything. He is just a guy but in his eyes, in his eyes there is something I've never seen before. Compassion without fake undertones. It chilled me. I loved him. I wanted to follow him. Pasolini wasn't trying to sell me anything, he wasn't trying to convert anyone he was doing what an artist, a real artist does. He was sharing his vision with me, with us. When people talk about movie experiences, this is the film that comes to my mind first. I'm glad to have to opportunity to share this with you.