Anthology movie about three owners of a yellow Rolls-Royce. A British diplomat buys the car for his French wife. A mobster's girlfriend has an affair in Italy. An American woman drives a Yugoslavian partisan to Ljubljana on the eve of the Nazi invasion.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her nightclub. Her employees use their female ... See full summary »
Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
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Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by Lord Charles Frinton - The Marquess of Frinton (Sir Rex Harrison) for his wife as a belated anniversary present. Lady Eloise Frinton - The Marchioness of Frinton (Jeanne Moreau) finds her own use for the vehicle, one which prompts her husband to sell the car in disgust. **Gangster Paolo Maltese's (George C. Scott's) moll, Mae Jenkins (Shirley MacLaine), thinks the Rolls is a "classy" car in which to tour Paolo's home town in Italy. When Paolo is called away to the U.S. to finish some "business", a bored Mae takes the Rolls-Royce on a spin through the country, enjoying both the sights and handsome Italian photographer Stefano (Alain Delon), who crosses her path. **By the outbreak of World War II, the car has come into the possession of socialite Gerda Millett (Ingrid Bergman). While on her way to visit Yugoslavian royalty, Gerda and the Rolls-Royce become (at first) unwitting and...Written by
Moira Lister (Lady Angela St. Simeon) was infuriated when Sir Rex Harrison (Lord Charles Frinton - The Marquess of Frinton) insisted that most of her lines be cut, and they were. See more »
In the last scene, supposedly in the 1940s, the Rolls is driving north on the Henry Hudson Parkway passing under an overhead sign for Interstate 95. The Interstate System was not conceived of until the Eisenhower administration and I-95 was not designated through Manhattan until 1957. See more »
After the success of "The V.I.P.s" the year before, Anthony Asquith and Terence Rattigan are at it again with uneven results. The excuse this time is a Rolls Royce that passes hands from star to star. It is a formula used before many times, most successfully in Julian Duvivier's "Tales of Manhattan" in which a dinner jacket plays an important part in the destinies of Edward G Robinson, Charles Laughton, Henry Fonda and Paul Robson among others. More recently the formula was used by John Badham in his "The Gun" and then Martin Donovan in the lyrically powerful "Seeds of Tragedy" in which the Rolls Royce there is cocaine. Terence Rattigan was master at dialogue and his characters tended to move in confined spaces, take "Separated Tables" for instance. In "The Yellow Rolls Royce" we travel from England to Italy to Eastern Europe and the only confinement Rattigan finds for his characters is the interior of the luxury car. On the first segment, Rex Harrison and Jeanne Moreau show Rattigan at his best, they are great fun to watch. Harrison, playing a big shot at the foreign office, does wonderful things with Rattigan's words. On the second episode Shirley MacLaine and Art Cartney are lovely as a gangster's moll and her minder but the Italo-American gangster, as played by George C Scott, is so over the top that, practically, sinks the whole little segment. French star Alain Delon plays an Italian gigolo of sorts. He is beautiful to look at but hopeless at delivering Rattigan's lines. On the third episode Ingrid Bergman plays Ingrid Bergman, beautifully and Omar Shariff plays Omar Shariff, just as beautifully. Joyce Grenfell plays a cameo as Bergman's companion, as usually, when she's on, she steals the scene. As you may have gathered, this is the kind of picture that one would enjoy the most on a rainy Sunday afternoon. That in itself is a recommendation.
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