Critic Reviews



Based on 9 critic reviews provided by
Wait Until Dark emerges as an excellent suspense drama, effective in casting, scripting, direction and genuine emotional impact.
Miss Hepburn is perhaps too simple and trusting, and Alan Arkin (as a sadistic killer) is not particularly convincing in an exaggerated performance. But there are some nice, juicy passages of terror, and after a slow start the plot does seduce you.
Slant Magazine
When the lights go out at the end of the film, so did the lights in the movie theaters.Terence Young’s tense cinematic adaptation so ruthlessly tightens the screws of tension that one could be forgiven for not noticing an earthquake, much less dimmed house lights.
Once this build-up is accomplished—once the sinister plot is launched and the young woman suddenly realizes that she has been duped and is in grave peril—the shock and suspense of the situation hit the audience with almost the same force, I'd imagine, as they evidently hit her. And from here on, the tension is terrific and the melodramatic action is wild as the blind woman uses all her courage and ingenuity to foil her assailants and save her life.
Hepburn's blend of pluckiness and self-pity and Arkin's cool cunning give Wait Until Dark emotional weight, but their final tussle is what most fans of the film remember.
An outstanding thriller based on a stageplay (by Frederick Knott) that fits so much better on the screen because, as well as the expansive, cinema is really good at claustrophobia.
This thriller draws its effectiveness less from the intelligence of the direction (by Terence Young) than from the unbridled sadism of the concept: Audrey Hepburn is a blind woman in unknowing possession of a doll stuffed with pure heroin. Alone in her New York apartment, she's terrorized by a gang of thugs that includes slobbering psycho Alan Arkin and smooth-talking Richard Crenna.
Expertly directed by veteran British helmsman Young, Wait Until Dark is an exciting, original chiller.
Time Out London
An effective shocker which has the blind Hepburn alone in the house when psychotic villain Arkin and his hoodlum pals (Crenna and Weston) arrive to retrieve a doll containing heroin which her husband (Zimbalist) unwittingly brought through customs for them. Though based on a stage play (by Frederick Knott), the skillful use of interiors for once transcends the visual limitations.

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