Grocery clerk Eddie Quaid, in danger of losing his father to alcoholism and his girl Julie through lack of career prospects, goes into boxing. His cop friend McBride finances him; ex-con ... See full summary »
An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
Three sailors on leave (Joe, Al and Davy) head for Paris with one thing on their minds. Joe pursues chanteuse Colette D'Avril who proves to be more than she appears; Davy is pursued by sexy... See full summary »
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.Written by
John Vogel <email@example.com>
Shortly before filming was set to begin, the real Albert DeSalvo escaped from the mental institution where he was imprisoned. He was later captured after being on the run for thirty-three hours. See more »
A shot of Tony Curtis, in a doorway, includes a 1966 Oldsmobile Toronado in the background, at a time (in the story) which is supposedly 1963-64 (shortly after JFK's funeral). See more »
Capt. Ed Willis:
Usually in a homicide of this kind, where nothing's stolen, it's a personal enmity, a grudge killing.
Two cases of personal enmity against two harmless old ladies in the same neighborhood in one week?
Come on, Captain, looks to me like a nut's loose.
Sgt. Frank McAfee:
Nuts don't ransack apartments.
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Opening credits prologue: THIS IS THE TRUE STORY OF ALBERT DESALVO, THE SELF-CONFESSED BOSTON STRANGLER. THE CHARACTERS AND INCIDENTS YOU ARE ABOUT TO SEE ARE BASED ON FACT. See more »
The original UK cinema version suffered heavy BBFC cuts with edits to shots of a woman's dead body, the murder scenes, and the removal of graphic descriptions of the murder victims. Video versions were cut by 1 min 5 secs and reduced the torture of Dianne Cluny to a series of flash shots by removing facial closeups, a shot of her kicking, and detailed footage of her arms and legs being tied to the bed. The cuts were fully restored in the 2004 TCF widescreen DVD. See more »
THE BOSTON STRANGLER was made in 1968 at a time when Hollywood was finally getting caught up in the radicalism of the era and I can imagine this film shocking many cinema goers as much as the real life murders shocked Boston . It does go into some details of the brutal murders with referances to " Semen " and being " Raped by a bottle " but this pales alongside the montage of the police arresting a myriad of freaks , pervs and scumbags , but even this pales compared to the portrayel of homosexuality in the movie . If you`re PC and are offended by words like " Faggot " or " Queer " you`ll not want to watch this . Oh did I mention this is directed by Richard Fleischer the man responsible for the Disney masterwork 20,000 LEAGUES UNDER THE SEA ? You`d never have guessed .
The biggest flaw with THE BOSTON STRANGLER is the uneven directing style by Fleischer using the split screen method for long periods of the movie which is very unsubtle ( And it`s not too surprising to see this technique very quickly died out in cinema ) , but the director redeems himself towards the end by using a couple of surreal abstract sequences . Watching these scenes today they`re both disturbing and haunting so lord knows how a 1968 audience would have reacted to them . Fleischer also casts well , and special praise should be given to Tony Curtis . It`s also nice to see a disclaimer at the start of the film pointing out that many events have been fictionalised as this explains the unlikely occurance the way the cops solved the case
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