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Bullitt (1968)

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2:51 | Trailer
An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.

Director:

Peter Yates

Writers:

Alan Trustman (screenplay) (as Alan R. Trustman), Harry Kleiner (screenplay) | 1 more credit »
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Popularity
3,169 ( 1,918)
Won 1 Oscar. Another 6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve McQueen ... Bullitt
Robert Vaughn ... Chalmers
Jacqueline Bisset ... Cathy
Don Gordon ... Delgetti
Robert Duvall ... Weissberg
Simon Oakland ... Captain Bennet
Norman Fell ... Baker
Georg Stanford Brown ... Dr. Willard
Justin Tarr ... Eddy
Carl Reindel Carl Reindel ... Stanton
Felice Orlandi ... Renick
Vic Tayback ... Pete Ross (as Victor Tayback)
Robert Lipton ... 1st Aide
Ed Peck ... Westcott
Pat Renella Pat Renella ... John Ross
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Storyline

San Francisco Police Lieutenant Bullitt's tasked by ambitious Walter Chalmers, to guard Johnny Ross, a Chicago mobster who's about to turn evidence against the organisation. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There are bad cops and there are good cops - and then there's Bullitt. See more »

Genres:

Action | Crime | Thriller

Certificate:

M/PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

17 October 1968 (USA) See more »

Also Known As:

Bullitt See more »

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Box Office

Budget:

$5,500,000 (estimated)

Opening Weekend USA:

$408,627, 7 October 2018

Gross USA:

$511,350

Cumulative Worldwide Gross:

$511,350
See more on IMDbPro »

Company Credits

Production Co:

Solar Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Cathy (Jacqueline Bisset) is shown working in an architectural studio with a model of a modernistic and angular fountain her character has designed. This is an actual model of a sculpture titled "Quebec libre!" by Canadian sculptor Armand Vaillancourt. The monumental fountain was being studied at the time the film was being made. The fountain was built and completed three years later in 1971, not in black as the model shows, but in natural gray concrete. It may be seen today at the Embarcadero Center in downtown San Francisco, across the street from the Ferry Building. See more »

Goofs

The wounded Officer Stanton tells Lieutenant Bullitt in the ambulance that one of the hit-men ("Mike") had white hair. Minutes later, in the hospital, Bullitt asks a doctor over the phone if the man (Mike) the doctor had just spoken to had gray hair; the doctor says yes. If a suspect had just been described to a police detective as having white hair, he would not have altered the critical descriptor from white to gray minutes later. See more »

Quotes

Bullitt: Who else knew where he was?
Chalmers: What?
Bullitt: Who else knew where he was?
Chalmers: What are you implying?
Bullitt: Well, they knew where to look for him, and they used your name to get in.
Chalmers: Are you suggesting I disclosed his whereabouts?
Bullitt: Well, somebody did. And it didn't come from us.
See more »

Alternate Versions

During the car chase, when the Charger goes wide on a corner and hits a camera, the film was salvaged and red frames added at the end, to give a "point of impact" impression. Despite this gag being in situ for decades, on the current Cinemax Asia print, someone has seen fit to completely remove these last frames of the shot. See more »

Connections

Referenced in Opowiesc o czlowieku, który wykonal 552% normy (1973) See more »

Soundtracks

The First Snowfall
(uncredited)
Written by Sonny Burke and Paul Francis Webster
See more »

Frequently Asked Questions

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User Reviews

 
Bullitt-speed
18 December 2004 | by paul2001sw-1See all my reviews

The late 1960s saw two classic, hard-boiled thrillers set in San Fransico; John Boorman's stylised 'Point Blank', and Peter Yates' 'Bullitt'. Calling your hero Bullitt might seem an unsubtle way to emphasise his macho qualities, but in fact Steve MacQueen plays him as a quiet man, not some wise-talking maverick: he does what he has to do, but takes no pleasure in his actions; and survives the roughness of his work not by becoming a monster, but simply by becoming a little less human. It's a believable portrait, and the film as a whole has a procedural feel: there are action scenes, but these are kept in their place in the overall design.

Today, the film is most famous for its celebrated car chase, which makes excellent use, as indeed does the movie as a whole, of the bay area locations, but is not actually shot that excitingly: the conclusion at the airport is more original, though it roots the film in the time when it was permissible to take a loaded gun onto a plane. But overall this is still a classy film, dry, exciting and bleak, and among the very best films of its day. William Friedkin's brilliant 'The French Connection', made a short while afterwards, would appear to owe it a debt.


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