A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
Desirous of starting a family, the young Catholic housewife, Rosemary Woodhouse, and her struggling actor husband, Guy, move into the Bramford: New York's iconic building which brims with unpleasant stories of obscure dwellers and ghastly occurrences. Before long, the young couple is befriended by their somehow eccentric next-door neighbours, Roman and Minnie Castevet, and, shortly after, Rosemary gets pregnant. However, little by little--as the inexperienced mother becomes systematically cut off from her circle and friends--alarming hints of a sinister and well-planned conspiracy begin to emerge, enfolding Rosemary in a shroud of suspicion and mental agony. In the end, why is everyone so conveniently eager to help; furthermore, why is Guy allowing it?Written by
The movie's poster was as #21 of "The 25 Best Movie Posters Ever" by Premiere. See more »
The doctor tells Rosemary June 28th is the day of her expected delivery, NOT the date for her next appointment. She found out she was pregnant at the end of October, and the doctor wanted Rosemary to come in the next week for the blood sample, hence why blood is written on the calendar in November. See more »
The film originally proved problematic for the UK censors and the rape scene was toned down by the BBFC for the cinema release with edits made to remove dialogue and shots of Rosemary's legs being bound. All later UK video releases featured the uncut print. See more »
It starts off like one of those 1950's Doris Day movies. Young, idealistic Rosemary (Mia Farrow) and new hubby Guy (John Cassavetes) move into a Manhattan apartment building called the "Bramford". Throughout most of the film we, as viewers, see and hear what innocent Rosemary sees and hears. There's a veneer of normalcy at the Bramford that belies what's really going on, behind our backs. It's the script's POV, therefore, that makes this film so chilling.
At the Bramford, which has quite a colorful history, you can hear through the walls. And, as Rosemary and we viewers soon find out, strange people lurk in other parts of the building. The strangest of all are Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon), superficially cordial, but a bit too inquisitive. Roman is retired. His wife, Minnie, wears tons of makeup and pawnshop jewelry, and gushes with praise for herbal cures, especially something called tannis-root. And Minnie's friend Laura-Louise (Patsy Kelly) wears thick glasses that make her eyes seem to bulge, and she talks with a strangely deep voice.
"Rosemary's Baby" is one of the great thrillers of all time. Given the underlying subject matter, can you imagine how this film must have come across to viewers in 1968? The strength of the film is the script, which through its plot and dialogue implies and suggests. Not until near the end do we, like Rosemary, find out the presumed truth. Suspense increases toward the end as Rosemary ventures into the inner sanctum of the Bramford.
The film's acting is great, and reinforces the strong script. I particularly liked Ruth Gordon, with her delightfully eccentric behavior and mannerisms. Production design and especially costumes are lavish and colorful. Clothes and hairstyles, as you would expect, are very 1960ish. Visual effects are minimal, and are used to enhance the story, not be the story.
Given the film's POV, the story is rather subjective. Its interpretation is based on Rosemary's perceptions, images, and fears. One could explain that Rosemary suffers from delusions. Or, alternately, one could explain that what happens is real. It's all in the interpretation. Either way, it's a great movie. It holds up well, forty years later, a tribute to its writer and director, Roman Polanski.
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