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Will Penny (1967)

Approved | | Romance, Western | 10 April 1968 (USA)
Aging cowboy Will Penny gets a line camp job on a large cattle spread and finds his isolated cabin is already occupied by a husbandless woman and her young son.

Director:

Tom Gries

Writer:

Tom Gries
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Charlton Heston ... Will Penny
Joan Hackett ... Catherine Allen
Donald Pleasence ... Preacher Quint
Lee Majors ... Blue
Bruce Dern ... Rafe Quint
Ben Johnson ... Alex - Flat Iron Ranch Foreman
Slim Pickens ... Ike Walterstein
Clifton James ... Catron
Anthony Zerbe ... Dutchy
Roy Jenson ... Boetius Sullivan
G.D. Spradlin ... Anse Howard
Quentin Dean ... Jennie
William Schallert ... Dr. Fraker
Lydia Clarke ... Mrs. Fraker
Robert Luster Robert Luster ... Shem Bodine
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Storyline

Will Penny, an aging cowpoke, takes a "line-rider" job on a vast cattle ranch requiring him to keep trespassers and squatters moving until they're off the property. Ironically, he discovers that the mountain cabin reserved for the line rider has been appropriated by Catherine Allen and her young son, Horace, whose guide has deserted them en route to Oregon to join Catherine's husband. Too soft-hearted and ashamed to kick mother and child out just as the bitter Rocky Mountains winter sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; lonely man and woman soon forget their considerable dissimilarities and start developing a deep, if awkward and unstated, love for each another. Beyond this, Horace finds in Will the father he's never known, and Will finds in Horace the son he's never known he's wanted. The trio's little refuge is then invaded by Bible-quoting preacher Quint and his murderous family of "rawhiders", who'd earlier ... Written by Alfred Jingle

Plot Summary | Add Synopsis

Taglines:

The brute in every man was also in him... And the love and the violence! See more »

Genres:

Romance | Western

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 April 1968 (USA) See more »

Also Known As:

...E o Bravo Ficou Só See more »

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Box Office

Budget:

$1,400,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Tom Gries wouldn't sell the script to any studio unless he got to direct this movie. Paramount Pictures finally agreed. See more »

Goofs

When "preacher" Quint is shot in front of the line shack the rope attached to him to pull him backwards is very obvious and very noticeable. See more »

Quotes

[Dutchie has been seriously wounded and the nearest doctor in a hundred miles away]
Catron: Best thing you can do for him, pilgrim, is make him rest easy while he waits till the end. Anything he drinks is on the house. And then you can bury him out back and away from the hogs. And it won't cost much. I'll even carve him a nice head marker. Twenty-five dollars sound about right? The ground is kind of hard this time of year... and the diggin' ain't easy.
See more »

Connections

Referenced in Unforgiven (1992) See more »

Soundtracks

The Lonely Rider
Music by David Raksin
Lyrics by Robert Wells
Sung by Don Cherry
See more »

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User Reviews

 
Authentic and intelligent
15 August 2005 | by howard.schumannSee all my reviews

Charlton Heston is an aging cowboy in Will Gries' 1968 gritty Western Will Penny. This is not the West of larger than life heroes, men of rugged independence and strength, just ordinary men without glamor who have to struggle for a living in a tough, bitter, and lonely environment. Will is a loner, not a "tough" guy with a romanticized image, but he is a survivor. After one job comes to an end, Penny takes off to look for work along with two companions, Blue (Lee Majors), a young cow hand, and Dutchy (Anthony Zerbe), a more experienced worker. Along the way, after a dispute over an elk, Will and his friends are attacked by Quint (Donald Pleasance), the most demented preacher this side of Harry Powell (Night of the Hunter). When one of Quint's sons is killed, the preacher vows revenge and we know we haven't seen the last of him.

When Will inquires at a roadside inn about the nearest doctor for Dutchy who accidentally shoots himself, he meets Catherine Allen (Joan Hackett) and her young son Horace known as Button (Jon Gries), on their way to Oregon to find her husband. After leaving Dutchy in the care of a doctor, Will finds a job for the winter at the Flatiron Ranch as a line rider keeping squatters off the property. When he arrives at the line rider's cabin, however, he finds Catherine and her son living there after they were abandoned by their guide. When Will is suddenly attacked by the Quints and left to die in the cold, Catherine nurses him back to health and he soon develops a close attachment to Catherine and Button.

When Will realizes that he cannot force Catherine and HG to leave, he agrees to let them stay during the winter and they spend Christmas together and the story becomes both a tale of conflict with the Quints and his growing love for a married woman. Although we root for Will to overcome his reluctance to take risks, we know that Will has known nothing but handling cattle, cannot read or write, and has little self-confidence or belief that he can ever change. There are many familiar faces in Will Penny: Slim Pickens, Donald Pleasance, Lee Majors, Anthony Zerbe, and Bruce Dern. This outstanding ensemble cast produces a Western that is authentic and intelligent and is probably Heston's best performance of his career.

Interestingly, the film opened in the New York's R.K.O. Coliseum at Broadway and 181st Street, a neighborhood theater in which I spent many boyhood afternoons and even worked as an usher. The Coliseum was one of the most attractive movie theaters in New York and as described at the time, had "a lovely oval opening, surrounded with a wooden railing, from which it was possible to look down from the balcony onto the first floor". Like many movie palaces of my youth, it is gone now, but the memories remain.


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