6.6/10
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Diamonds Are Forever (1971)

A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an evil plot involving a rich business tycoon.

Director:

Guy Hamilton

Writers:

Richard Maibaum (screenplay), Tom Mankiewicz (screenplay)
Reviews
Popularity
1,949 ( 212)
Nominated for 1 Oscar. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sean Connery ... James Bond
Jill St. John ... Tiffany Case
Charles Gray ... Blofeld
Lana Wood ... Plenty O'Toole
Jimmy Dean ... Willard Whyte
Bruce Cabot ... Saxby
Putter Smith ... Mr. Kidd
Bruce Glover ... Mr. Wint
Norman Burton ... Leiter
Joseph Fürst ... Dr Metz (as Joseph Furst)
Bernard Lee ... 'M'
Desmond Llewelyn ... 'Q'
Leonard Barr Leonard Barr ... Shady Tree
Lois Maxwell ... Moneypenny
Margaret Lacey Margaret Lacey ... Mrs. Whistler
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Storyline

James Bond's mission is to find out who has been smuggling diamonds, which are not re-appearing. He adopts another identity in the form of Peter Franks. He joins up with Tiffany Case, and acts as if he is smuggling the diamonds, but everyone is hungry for these diamonds. He also has to avoid Mr. Wint and Mr. Kidd, the dangerous couple who do not leave anyone in their way. Ernst Stavro Blofeld isn't out of the question. He may have changed his looks, but is he linked with the heist? And if he is, can Bond finally defeat his ultimate enemy. Written by simon

Plot Summary | Plot Synopsis

Taglines:

The man who made 007 a household number See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM [United States]

Country:

UK

Language:

English | German

Release Date:

17 December 1971 (USA) See more »

Also Known As:

Ian Fleming's Diamonds Are Forever See more »

Filming Locations:

Netherlands See more »

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Box Office

Budget:

$7,200,000 (estimated)

Gross USA:

$43,819,547

Cumulative Worldwide Gross:

$43,819,547
See more on IMDbPro »

Company Credits

Production Co:

Eon Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (colour) (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

According to the documentary, Adam West was also offered the role of James Bond for this movie. Jill St. John and Sid Haig were guest stars on Batman (1966). See more »

Goofs

Plenty O'Toole falls for a time of 4.1 seconds before landing in the pool, meaning she fell from a height of 270 feet and so hit the water moving at 90mph. Rather than emerging unscathed, the woman would be instantly killed since the water can't get out the way fast enough, thus severely breaking her entire body. See more »

Quotes

[first lines]
James Bond: [tossing Japanese man around] Where is he? I shan't ask you politely next time. Where is Blofeld?
Japanese man: Cai... Cai... Cairo!
See more »

Crazy Credits

THE END of DIAMONDS ARE FOREVER James Bond will return in LIVE AND LET DIE See more »

Alternate Versions

An extra scene was filmed where Plenty returns to Bond's hotel room after she was thrown into the pool. Here, she spies on Tiffany Case and Bond making love through a crack in the bedroom door. Plenty then looks through Tiffany's purse nearby and finds the address to Tiffany's rented house. This explains how Plenty gets to Tiffany's house later in the movie. Another scene has Plenty arriving the next day at Tiffany's house and letting herself in and sees nobody's around (all the characters are at the Circus Circus Casino). Plenty goes into Tiffany's bedroom, sees some of her wigs lying around and tries a few on for fun, until the frame pulls back to Mr. Wint and Mr. Kidd arriving and seeing Plenty trying on the wigs, they assume that she's Tiffany whom they are ordered to kill. See more »

Connections

Referenced in The Exotic Locations of 'Diamonds Are Forever' (2006) See more »

Soundtracks

Diamonds are Forever
Music by John Barry
Lyrics by Don Black
Performed by Shirley Bassey
See more »

Frequently Asked Questions

See more »

User Reviews

 
"Oh, providing the collars and cuffs match..."
26 July 2001 | by The_Movie_CatSee all my reviews

Diamonds Are Forever is often described as a Roger Moore film starring Sean Connery, but it goes even farther than that. Whereas Moore ushered in ironic/silly codings, Diamonds contains the most overtly camp humour the series ever indulged in. The film also contains the most amount of nudity, and arguably the rudest jokes of the franchise. The title quote is Connery's quip to a girl with ever-changing wigs, while later we get the immortal "I'm afraid you've caught me with more than my hands up."

There's the sense of the odd, or uneasy, about this one all the way through. From the theme title (and what a great song!) precipitated by a cat's cry to the homosexual henchmen Mr.Wynt and Mr. Kidd. Their unnerving air is not the result of their gay, slightly homophobic, portrayal, but in Putter Smith's performance as Kidd. Not a trained actor, but an accomplished jazz bassist, this off-kilter playing creates an unconscious, unsettling atmosphere.

It's this juxtaposition which compels throughout. Like seeing Britain's top espionage agent doing the childhood "snogging with yourself" routine then smashing a man's head through a window just seconds later. It's a superficially lightweight film, but with a nasty, almost bitter undercurrent. Connery's obvious resistance to the role actually serves it well here, given that this is the first post-wife Bond movie. Bernard Lee plays an unusually terse M to complement this abrasive 007. Such a starch display cuts through the smug underpinnings of the character and makes the cheesy one-liners more palatable. He looks older than in any of his other Bond films - Never Say Never Again included – but this also fits his anguished, bereaved state. In line with this most misogynistic of Bond pictures, Jill St. John's character development passes from intelligent, through to devious and down into simpering bimbo.

Incidental music is a bit disattached, and often feels like it belongs to another film. It works against, rather than with, the picture it's there to support. Yet although not quite the best of the series, this and the following Live and Let Die are the most distinctive in look, feel and style. They're light, pacy, poppish takes on the format, full of comicbook verve and wit. Guy Hamilton's direction is also very good; making the most of the LA location with use of expansive aerial shots.

The plot seems fairly complex, though maybe that's because it's underdeveloped and submerged beneath slightly irrelevant setpieces. I had to smile at the line "Get him off that machine, that isn't a toy" as Sean boards the moonbuggy. I remember after the film it became one, a primary-coloured Dinky version with a spinning radar. Brings back memories, that.

Blofeld, who has now taken up cloning and cross-dressing, is played here by Charles Gray. Although at the time it was four years before he would become the criminologist in The Rocky Horror Picture Show, the two are now inseparable, in my mind at least. As if this wasn't enough high camp to go round, there's also Connery being demolished by Bambi and Thumper, a couple of sadistic female gymnasts.

If something about this quirky, offbeat Bond (and some sources list it as the seventh least successful in terms of gross) doesn't quite gel, then it greatly improves on repeat viewings.


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