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Cabaret (1972)

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2:59 | Trailer
A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.

Director:

Bob Fosse

Writers:

Joe Masteroff (based on the musical play "Cabaret" book by), John Van Druten (based on the play by) | 2 more credits »
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Popularity
2,027 ( 995)
Won 8 Oscars. Another 27 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Liza Minnelli ... Sally Bowles
Michael York ... Brian Roberts
Helmut Griem ... Maximilian von Heune
Joel Grey ... Master of Ceremonies
Fritz Wepper ... Fritz Wendel
Marisa Berenson ... Natalia Landauer
Elisabeth Neumann-Viertel ... Fraulein Schneider
Helen Vita ... Fraulein Kost
Sigrid von Richthofen Sigrid von Richthofen ... Fraulein Mayr (as Sigrid Von Richthofen)
Gerd Vespermann Gerd Vespermann ... Bobby
Ralf Wolter Ralf Wolter ... Herr Ludwig
Georg Hartmann Georg Hartmann ... Willi
Ricky Renée Ricky Renée ... Elke (as Ricky Renee)
Estrongo Nachama Estrongo Nachama ... Cantor
Kathryn Doby Kathryn Doby ... Kit-Kat Dancer
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Storyline

Cambridge University student Brian Roberts arrives in Berlin in 1931 to complete his German studies. Without much money, he plans on making a living teaching English while living in an inexpensive rooming house, where he befriends another of the tenants, American Sally Bowles. She is outwardly a flamboyant, perpetually happy person who works as a singer at the decadent Kit Kat Klub, a cabaret styled venue. Sally's outward façade is matched by that of the Klub, overseen by the omnipresent Master of Ceremonies. Sally draws Brian into her world, and initially wants him to be one of her many lovers, until she learns that he is a homosexual, albeit a celibate one. Among their other friends are his students, the poor Fritz Wendel, who wants to be a gigolo to live a comfortable life, and the straight-laced and beautiful Natalia Landauer, a Jewish heiress. Fritz initially sees Natalia as his money ticket, but eventually falls for her. However Natalia is suspect of his motives and cannot ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The Award-Winning Smash Hit Musical [UK Video] See more »

Genres:

Drama | Musical

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German | Hebrew | French

Release Date:

13 February 1972 (USA) See more »

Also Known As:

Кабаре See more »

Filming Locations:

Biergarten, Bavaria, Germany See more »

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Box Office

Budget:

$6,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Liza Minnelli designed all her own hair and make-up with the help of her father, famed musical director Vincente Minnelli. See more »

Goofs

As Max drops off Brian and Sally packs for the African trip, Brian's shirt changes style and colour. In Max's car his shirt is blue with a rounded collar but, by the time he enters the apartment, it is white with a pointed collar. See more »

Quotes

Brian Roberts: [as Max and Brian are leaving the beer garden where the audience, led by a Hitler Youth boy, is singing "Tomorrow Belongs to Me"] Do you still think you can control them?
See more »

Crazy Credits

Opening credits prologue: Berlin 1931 See more »

Alternate Versions

In the film's first telecast, on ABC-TV, all reference to Max's bisexuality was edited out, changing the motivation one of the other characters completely. See more »

Connections

Spoofed in Sir Billi (2012) See more »

Soundtracks

If You Could See Her
Written by John Kander and Fred Ebb
Sung by Joel Grey
See more »

Frequently Asked Questions

See more »

User Reviews

 
A welcome surprise
10 March 2003 | by stiv-7See all my reviews

In my time on this planet, I have passed this film by at least a hundred times, curious, but not enough to warrant seeing it. Well, this weekend curiosity got the better of me and I finally broke down and saw it. I was pleased to find a very tightly constructed piece of musical drama, in which the drama and the musical elements are separate yet interconnected.

A story ostensibly about the end of decadence in Germany and the simultaneous rise of the Nazi party, "Cabaret" winds up being much more. Unlike "Titanic"(1997), which also intermingled historical events with a love story, "Cabaret" uses the cabaret as a device to comment on the goings-on in the story surrounding it, yet doesn't feel tacked on or phony like the former film. Part of this is because of the wonderful performances all around, and part is the sheer craftsmanship involved in putting the film together. Liza Minnelli and Michael York make us actually care about their characters, and Joel Grey brings a creepy verisimilitude to the Master of Ceremonies. Marisa Berenson, Fritz Wepper, and Helmut Griem put in fine supporting performances, lending dimension to what could have easily been cardboard characters.

The craftsmanship of Geoffrey Unsworth and Bob Fosse is no less impressive. I was familiar with Unsworth's work from "Superman: The Movie" and was amazed with his ability to make Liza look so breathtaking here. Fosse's direction and staging of the dance numbers is classic Fosse, even if the film had to be tightened up by the studio prior to release. This is great entertainment, with food for thought, and the Kander & Ebb songs stay with you long after the film ends.

Come to think of it, so does the film itself. Well worth seeing, and the ending is very thought-provoking.


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