A cocky Harvard graduate transports a load of marijuana from Boston to Berkeley, California. His girlfriend gets busted with the second load. He and a friend go against a dirty cop and a Cuban gangster to get the load and the girl back.
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Fred is a psychotic entrepreneur who hopes to convince his wife Janet to invest in a shady land deal. The wife refuses, and the couple continue their heated argument while driving through ... See full summary »
While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy... See full summary »
James A. Watson Jr.
A troubled Vietnam war vet deserts his wife and child shortly after he returns from the war. He returns after 10 years, where he's been living like an animal in the forest. He finds himself... See full summary »
Peter is a cocky Harvard law student, who's tired of being square, so his best friend and theater director John gets him into the drug business. Peter loves the excitement of the gig and agrees to transport a suitcase full of pot from his suppliers to him. As a fan of the Rolling Stones' song Sympathy for the Devil, he picks Lucifer as his street name. At the drug dealers' hideout, Peter meets Susan and falls for her hard, since she's the complete opposite of his somewhat prudish and stuck up square girlfriend Annie. Susan likes him too and agrees to take him to a train station to hide the dope in one of the lockers there. They hit it off quickly. When they arrive at the station they notice a military officer, who's overseeing a funeral transport for what seems to be a casket of a dead soldier from Vietnam. This sight gives the two cold feet, so they leave to spend a night together at one of her musician friends' place. Peter then completes the job but soon asks John for another gig, ...
In his memoir, Drama, Lithgow credits Brian De Palma with getting the actor his feature film debut. In the summer of 1966, between his junior and senior years of college, Lithgow had tried to launch his own theater production company in Princeton, New Jersey, called The Great Road Players. The effort was a financial and promotional disaster, but De Palma happened to come down to see friends from Columbia in the some of the shows, and found Lithgow terribly funny in some Moliere one-acts. Four or five years later, the director passed the actor's name to Paul Williams when the latter was searching for a "patrician Harvard undergraduate dope dealer" for his film. Williams had attended Harvard as well, and remembered having seen Lithgow on stage there, so he interviewed and hired him. Of course De Palma also later cast Lithgow as the villain in at least three of his later films, Obsession (1976), Blow Out (1981), and Raising Cain (1992). See more »
When Murphy enters the cab outside South Station, it's a 1971 Plymouth Satellite. When they get on Route 128 bound for Walden Pond, it grows into a '71 Plymouth Fury. See more »
This is the kind of movie that only could have been made in the 1970's in that its HERO is a drug trafficker (albeit, also attending Harvard Law School), yet rather being a morality tale, it's actually a love story! The casually amoral attitude towards drugs and drug-dealing and the low-budget 70's counterculture vibe makes it somewhat similar to "Easy Rider" (many forget that the anti-heroes in that movie finance their motorcycle trip across America with a big cocaine deal). Unlike "Easy Rider" however, this is not an iconic touchstone for what over the next 40 years would become the Most Annoying Generation (i.e. the Baby Boomers), so it's easier to appreciate this movie based on its own, admittedly flawed, merits. The beginning of this movie is kind of like "Easy Rider" in that it seems to not only be about people who smoke a lot of dope, but also made BY people who were smoking a lot of dope. About halfway through though it turns into a pretty decent counterculture crime drama.
A Harvard law student (Robert Lyons) is sent from Boston to San Francisco to smuggle back a shipment of dope. There he falls in love with an uninhibited young girl (Barbara Hershey). Back in Boston, he convinces the campus drug dealer (John Lithgow) who sent him to have the girl bring out another shipment, so he can see her again. She ends up getting busted, but the pair realize that half the load was apparently pinched by a corrupt cop (Charles Durning), so they plot to steal it back from some Cubans he sold it to. Unfortunately, complications arise when they accidentally steal $80,000 in heroin as well as the $4,000 in dope. . .
Robert Lyons was a semi-successful movie actor at the time (at least in weird counter-culture flicks like this and "The Todd Killings"), even if he's mostly a television actor now. He's a little stiff at times but generally functional as the lead. John Lithgow, in one of his earliest roles, is great as a fey Harvard theater director who is also the major campus drug supplier. The love story in the middle of all this would be pretty far-fetched if the girl in question were not played by uber-sexy Barbara Hershey, who was THE quintessential early 70's hippie chick. And right behind her in the quintessential early hippie chick race was Joy Bang, who is also in the cast as Lithgow's tough-as-nails girlfriend and financial partner. Good cast. Decent movie. Check it out.
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