Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy.Written by
Andrew Harmon <firstname.lastname@example.org>
During the session where Karras is recording his interactions with Regan, he asks the demon its name (in Latin) and the demon responds with what would could be considered a witticism on its part: "La plume de ma tante" (literally, "The pen of my aunt"). This is a attributed to elementary French language instruction and used in the early 20th century as an example of a grammatically correct phrase taught despite limited practical use. LIFE Magazine in 1958 described it as: "...the most idiotically useless phrase in a beginner's French textbook." In popular culture, the phrase can be used metaphorically to refer to something irrelevant. In this instance, it could be interpreted as the demon telling Karras in a roundabout way that its name is irrelevant - a common motif in stories of Godly agents fighting evil spirits. See more »
Whille recording Regan, Karras's left hand moves to start the tape recorder, but the cut-in shows him doing it with his right. See more »
They've found something... small pieces.
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There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
In the television versions, the image of the obscenely defiled statue of the Virgin Mary stays intact. It stays on longer for the TV-14 version, but not much. See more »
Many people complain that this movie's too slow but those are the kind of folks who only like 80-minute splatter films with characters so dumb and one-sided, you pray for the bad guy to kill them. This monster of a drama is both beautiful and bold. It has CHARACTERS and not simply LAMEBRAINS lined up for slaughter. It has class and purpose. It takes the audience into the darkest recesses of humankind and then brings them back through a message of hope and self-sacrifice. The movie is NOT anti-religion, it's anti-evil. Anyone who likes smart, clever, meaningful horror-drama should see this film at least twice. It is surprisingly touching and amazingly powerful.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
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