A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Several British agents have been murdered and James Bond is sent to New Orleans, to investigate these mysterious deaths. Mr. Big comes to his knowledge, who is self-producing heroin. Along his journeys he meets Tee Hee who has a claw for a hand, Baron Samedi the voodoo master and Solitaire a tarot card reader. Bond must travel to New Orleans, and deep into the Bayou.Written by
Near the start of the film, Leiter's staff trace the white car to an address which is in a block containing the Oh Cult Voodoo Shop, yet they fail to recognize the fact that this is also the building that Kananga and his people have just entered. See more »
[translating for Hungarian delegate]
... was so ably pointed out by the Secretary General in his opening remarks. But - and I must emphasize this point - no formula can or will ever cover each case. For instance...
[audio feed is unplugged]
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The End of Live and Let Die James Bond will return in The Man with the Golden Gun See more »
Some TV prints omit the quick shot of Kananga exploding. See more »
As a whole, "Live and Let Die" is a pretty peculiar Bond film. Its characters and settings are rather unusual for a James Bond movie, not to mention the trifling with voodoo culture. However, the result is not bad.
Spiced with the awful 70s fashion, "Live and Let Die" is fun to watch. Of course the film has also intentional stylishness that shows particularly in the clever pre-credit sequence, which contains the murders of three British agents.
Yaphet Kotto gives a strong performance as the infamous main villain, Dr. Kananga. Kananga has many colorful henchmen, like the grinning Tee Hee, who does a very handy job opening a tin. Jane Seymour's Solitaire is a truly graceful Bond girl, but the useless role of Rosie Carver should have been deleted, or recast, at least. And where's Q?
"Live and Let Die" isn't Roger Moore's best Bond outing, but not his worst, either. It's definitely better than his next one, the thoroughly tiresome "The Man with the Golden Gun".
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