The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfeld girl, subsequent career, and her personal life, particularly her relationship with Nick Arnstein.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and ...Written by
Opening credits: The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character or history of any person is entirely coincidental and unintentional. See more »
At the end of the movie, Barbra Streisand and Robert Redford embrace. He's wearing a trench coat with the collar up. In the course of the embrace, shot from behind Redford, Streisand's gloved hand moves down the back of his head, ultimately flattening the collar of the trench coat. In the next shot, face-on to Redford, the collar of the trench coat is back up. See more »
I think the word for this movie is, gorgeous. Nothing I've seen (I haven't seen a lot, but still) has compared to the chemistry, the depth of feeling, and the realistic portrayal of two opposites both beautiful in their own right. This movie is a testament to the way we were really, how it was beautiful to be decadent and disgusting in the thriving 50's, of the attractive "waspishness" of Ivy leaguers, of politics and war. The movie is not dated either, its quality making it appealing to a whole spectrum of people who would normally not be interested in something this good. I first saw this movie in a history class and to my surprise most of the people in the class loved it, people who would normally go see "Titanic" and rave about it for days. I think that is, if not something else, at least evidence of this movie's depth, quality, feeling, (and although very sentimental) realism. If you enjoy the finer things in life, dim the lights, fix yourself a vodka martini straight up, and watch "The Way We Were".
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