Louisa is an ordinary girl living in Victorian London. She is looking for a job and ends up talking her way into the kitchen of a Lords townhouse. The Lord has a rather snooty French chef, ... See full summary »
Henrik Ibsen's enduring drama about a Nordic femme fatale, a neurotic, controlling, strong-willed woman who is nonetheless alluring to the males in her town. She is a solitary woman in a ... See full summary »
When Elizabeth Tudor comes to the throne, her (male) advisers know she has to marry. Doesn't she? Thus starts a decades-long political/ matrimonial game, during an age of high passions and high achievement.
A train with hostages is stolen in Bremen, Germany. It's heading south through Europe with a nuclear bomb. A UN crime-fighting task force is in charge of stopping it in cooperation with local military and police.
The concept of producing a series of short dramas linked to the framework of Winston Churchill's 'History of the Engish Speaking Peoples' probably seemed a good idea at the time. Each episode commenced with a short introduction to the historical topic, as if it was a reading from the book, fixing the context of the drama that was to follow. Unfortunately, each episode was scripted by a different author, and budget constraints meant that the production values usually left a great deal to be desired. The result was a very mixed bag - you never knew what you were getting.
Some episodes were unbelievably bad or unintentionally funny. Others did make an attempt, and a few stood out. A short play about the levellers in the English Civil War (the Burford mutiny)comes to mind, together with another taking an unusual look at the American revolution from the 'Tory' or loyalist side. Many of the prominent British TV actors of the time were cast in some odd historical roles - the sight of Arthur Lowe in a toga discussing the activities of the Picts can only be described as such.
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