Black Sunday is the powerful story of a Black September terrorist group attempting to blow up a Goodyear blimp hovering over the Super Bowl stadium with 80,000 people and the president of the United States in attendance.
During the 1900 Boxer Rebellion against foreigners in China, U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly and SWAT commander Sergeant Button, learn of the plot and rush to the scene.Written by
Tim Tompkins <email@example.com>
Baltimore's first score is a long pass play for a touchdown, but when the replay is being shown in the police station Capt Holly (Charlton Heston) refers to the play as "hell of a run". See more »
I was on the same plane as you. I couldn't help but notice how attractive you are. You know you have a very beautiful mouth?
Yeah, so do you, but it's big. You go away, lady, or I'll call a cop.
I am a cop.
Well, then kiss me, I'm crazy about cops.
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The network-TV version was cut 45 minutes shorter, keeping the 30-minute robbery plot but losing almost half the length of the original plot. This version is the most often one shown on broadcast TV in the USA. See more »
An all-star cast led by Charlton Heston with likes of John Cassavetes, Martin Balsam, Beau Bridges, Mitchell Ryan and Jack Klugman feature in this well directed, but thinly written semi-disaster fare that never goes beyond its one-dimensional framework. Its central focus follows that of an unknown sniper planning a massacre at a championship football game at the Los Angeles Coliseum, as the coming and going personal dramas of certain people at the game intertwine. Slow to get going and rather one-note in its dramas never being as interesting as it should have been, but it opens up when the SWAT team enters and the sniper finally let's loose for a thrilling final third. As the joy and excitement of the match transforms into confusion and anxiety, where the stadium turns into a shooting pallor. I've read some people complaining about a lack of a motivation for the killer, but really one wasn't needed and the ambiguous nature only made its frenetic climax more effective. For most part it's a waiting game preying upon the inevitable build-up, even though the authorities know about the sniper they don't want to start a panic of hysteria. So it's a scary idea, exploitatively handled and director Larry Peerce creates a large scale look giving it an intense scope. The performances are stalwart, but no one really makes much of an impression.
"Lets not get too nervous about it. "
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