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A Special Day (1977)

Una giornata particolare (original title)
Not Rated | | Drama | October 1977 (USA)
Two neighbors, a persecuted journalist and a resigned housewife, meet during Hitler's visit to Italy in May 1938.

Director:

Ettore Scola

Writers:

Ruggero Maccari (screenplay), Ettore Scola (screenplay) | 1 more credit »
Reviews
Nominated for 2 Oscars. Another 13 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Sophia Loren ... Antonietta Taberi
Marcello Mastroianni ... Gabriele
John Vernon ... Emanuele Taberi
Françoise Berd ... Concierge
Patrizia Basso Patrizia Basso ... Romana Taberi
Tiziano De Persio Tiziano De Persio ... Arnaldo Taberi
Maurizio Di Paolantonio Maurizio Di Paolantonio ... Fabio Taberi
Antonio Garibaldi Antonio Garibaldi ... Littorio Taberi
Vittorio Guerrieri Vittorio Guerrieri ... Umberto Taberi
Alessandra Mussolini Alessandra Mussolini ... Maria Luisa Taberi
Nicole Magny Nicole Magny ... Officer's Daughter
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Storyline

It's the late 1930's Rome. It's a national holiday in Italy today for the first state visit of Adolf Hitler to the country. The occasion is being marked by a lavish parade with both Hitler and Benito Mussolini to celebrate their political friendship/alliance in the name of fascism. Most of the Roman populace will attend the parade to celebrate with their leader. Two that will not be are the following. Antonietta Taberi, who would have liked to have gone to the parade, has to stay at home to attend to her domestic chores in duty to her husband Emanuele and their six children, all who have gone to the parade without her. Gabriele is a former announcer on Italian Public Radio. Despite living in the same apartment complex (Gabriele only for the last two months) with their apartment windows facing each other across the courtyard, Antonietta and Gabriele meet for the first time today in Antonietta's need to access his apartment to retrieve her escaped myna bird. Their encounter is important... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A special film about two special people. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | Canada

Language:

Italian

Release Date:

October 1977 (USA) See more »

Also Known As:

A Special Day See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Marcello Mastroianni's character, Gabriele, is partially based on Nunzio Filogamo, an Italian radio broadcaster and presenter. During the 1930s, Filogamo was persecuted by the Fascist regime for his homosexuality, but he was so popular with the Italian people that the government couldn't fire him or deport him. Instead, Filogamo was required to carry a medical card stating that he was not a homosexual (as Gabriele mentions he is required to do in the film). See more »

Goofs

In one scene, Antonietta is humming the song "Mamma" by Benjamino Gigli, but that wasn't released until two years later, in 1940. See more »

Quotes

Emanuele Taberi: Antoniè, a day like today calls for a celebration and if we have a seventh we'll call him Adolf.
[spanks Antonietta on the behind]
Antonietta: No, not tonight.
Emanuele Taberi: Just hurry up and come to bed. We'll discuss it then.
See more »

Connections

Referenced in De slimste mens ter wereld: Episode #9.8 (2016) See more »

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User Reviews

 
as close as cinema can get to a Greek tragedy
30 April 2003 | by damien-16See all my reviews

This film has great acting, great photography and a very strong story line that really makes you think about who you are, how you define yourself, how you fit in, whether you accept to play a role or break free... There already are excellent comments dealing with these aspects. I want to comment on the formal setting of the film. Basically, it's two people on a roof. There is unity of place and time, with 2 protagonists, and the radio acting as the choir. Many directors have turned Greek tragedies into film, many directors have filmed contemporary stories as if they were a Greek tragedy, but no director, in my opinion, has succeeded as admirably as Ettore Scola in approaching the purity and force of the great Greek tragedies both in story line and formal setting. A masterpiece.


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