Quatermass emerges from the car park to find the stadium empty. So many have now been harvested that the particles of dust in the air have turned the sky green. Kapp attempts to repair his equipment ...
Quatermass is rescued by a group of elderly people living in a scrap yard. At the hospital, the doctors are shocked when Isabel levitates off her bed and explodes in a cloud of dust. Elsewhere, the ...
Professor Quatermass comes out of retirement to search for his missing granddaughter and finds a world on the verge of anarchy, and an American-Russian space station destroyed by unknown forces. He ...
A separate screenplay by Nigel Kneale for theaters, parallel to the 1979 Quatermass four part mini-series. The story set in the near future involves influences from outer space that are possessing people. Professor Quatermass must save his granddaughter from the clutches of a popular and sinister cult "Planet People" that "performs raptures".
Professor Quatermass is trying to perfect a dangerously unstable nuclear-powered rocket engine. After a disastrous test firing in Australia, his soon-to-be son-in-law, Captain John Dillon, ... See full summary »
Professor Bernard Quatermass, Director General of the British Experimental Rocket Group, launches the first manned space flight from Australia. A malfunction sends the rocket and its three ... See full summary »
A research team from an electronics company move into an old Victorian house to start work on finding a new recording medium. When team member Jill Greeley witnesses a ghost, team director ... See full summary »
In the near future, civilization has broken down to the barest fragment of recognizable life. Young people are forming gangs and dominating the wrecks of cities like London. But the strangest Earth children are the "Planet People", following plumb-bobs to sacred sites, waiting to be "taken up". Professor Quatermass (Sir John Mills), seeking his granddaughter, teams up with Joe Kapp (Simon MacCorkindale), who is trying to analyze strange signals from space using the last working pieces of electronic equipment. They find the "Planet People" at a nearby stone circle, a light appears, the signal appears, and the hippy children are gone. Russian plot? Nirvana? Or something altogether more sinister?Written by
Started life in 1973 as a BBC series called "Quatermass IV". It had been commissioned by Ronnie Marsh, and according to Nigel Kneale, the intended producer was Joe Waters. Some model test sequences of the space station were shot, but eventually, the project was abandoned by the BBC. ITV then picked it up a few years later and produced it in association with Euston Films. See more »
This has been made available in the United States in two versions. It was first released edited down to a 105 minute feature film under the title _Quatermass Conclusion, The (1979)_. In 2003 the complete program was released on home video under the title "Quatermass" (1978) with a listed running time of 240 minutes. See more »
The end of Quatermass, from the man who sets his scares on slow-burn
You have to hand it to Nigel Kneale.... Even after all these years, his works still have the power to leave you feeling just a bit disturbed. Not in the out and out conventions of most horror/sci-fi titles, but with the underlying neuroses and paranoias that afflict all societies, regardless of culture.
All of the Quatermass serials contained these elements, so much so that they were practically strip-mined by The X Files. And so, regardless of the quaint anachronisms that they contain, they still, somehow, manage to retain something for the modern viewer.
The 1970's Quatermass series is the most anachronistic of all, because it is so unlike the earlier serials (produced in the 50's and 60's, as were the film versions of said series). This makes the aesthetic of the series so much more nihilistic. Made under the backdrop of the (then) rising punk scene, the random violence and criminal behaviour that is portrayed must have seemed entirely topical. Even the relative cheapness of the production adds to this aesthetic: so very 70's Brit sci-fi.
But the series was written back in the late 60's, originally intended to be the 4th film in the movie series (especially with the relative success of the "Quatermass and the Pit" film). This is why we have the strange interbreeding of hippy culture and guns....
As such, you have to say that Kneale was certainly visionary in that oh-so grim British way.... And the concept that human beings might be hardwired to seek out destructive (even genocidal) religious ideals (by unseen, advanced intelligences), capable of being intensified remotely for "harvesting" (for reasons unknown), certainly has a lot of resonance in today's world.
The acting in the series was variable (understandable for a TV series). John Mills is capable as the aging and (initially) confused Quatermass, desperately seeking his granddaughter in a world that seems to be falling apart. Once the threat is recognised, the scientist in him takes over, leading to a slow and tragic conclusion.
Simon McCorkindale, an actor who seemed to be on top of his game at this time, ably plays Quatermass's sidekick, Joe Kapp. Never the safest thing to be in any Quatermass serial, Kapp is taken through the emotional wringer in ways too horrible for a husband and father to bear, before facing the fate of sidekicks before him.
Bruce Purchase and David Yip provide temporary interest (never destined to be long-lived in a Quatermass serial).
On the flipside, Ralph Arliss is quite painful as the murderous (and annoying) Kickalong, whose fate is far too kind (and long in waiting). There is an earlier scene where a group of the planet people are massacred whilst walking between rival gangs having a shootout. Something like that would have been more appropriate for Kickalong, but it was, sadly, not to be....
The effects are of a pretty low standard, but given everything else, this doesn't really seem to matter. Given the cheap, 70's budget the producers had to work with (we certainly aren't looking at a Space: 1999 cashflow here), they managed to perform miracles.
I remember first watching this some time in the 80's (I'm not sure when precisely) on late-night TV. The darkly-nihilistic atmosphere of the series attracted me to it, then, because it was so different to other sci-fi shows going around. Years later I still find it strangely appealing, even with the faults of its age.
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